Preview of February Weekend

In this unique performance lecture film, artist Zina Saro-Wiwa navigates the moral, philosophical and cultural conundrums that arise from the very existence of contemporary traditional African art. The likes of which she encounters, exhibits and entangles with in her native Ogoniland. Yet Saro-Wiwa’s hybrid identity has forced her to consider how African masks live both in the West and in Africa and how these African art worlds impact one another and explores the ways in which the cultural capital-building powers of traditional African art objects are curtailed. In “Worrying the Mask” Saro-Wiwa challenges the call for the restitution of African art by privileging storytelling over geographical location. She exposes the desires and limitations of Ogoni storytelling to ask whether an object can represent a people at all. And she elucidates how contemporaneity informs the genre of “contemporary traditional African art,” suggesting that our attempts to understand and explain it may require a radical ontological shift.