Bibliography
Books
Anderson, Melody. Making Masks. Blurb, 2022.
Bell, Deborah. Mask Makers and Their Craft: An Illustrated Worldwide Study. McFarland & Company, 2015.
Bell, Deborah. Masquerade: Essays on Tradition and Innovation Worldwide. McFarland & Company, 2015.
Burgholzer, Laurette, et al. UN/Masking Reflections on a Transformative Process. Neofelis, 2021.
Buyandelger, Manduhai. Tragic Spirits: Shamanism, Memory, and Gender in Contemporary Mongolia. The University of Chicago Press, 2013.
Galembo, Phyllis. Phyllis Galembo: Maske. Aperture, 2016.
Hunt, Deborah. Masks and Masked Faces: A Manual for the Construction of 22 Masks and Their Variations. MaskHunt Motions, 2013.
Lin, Doris. Wearing Masks Is Fashion. 2020.
McClung, Mary. Mask Making Techniques: Creating 3-D Characters from 2-D Designs for Theatre, Cosplay, Film, and TV. Routledge, 2023.
Meaden, Wendy J., and Michael A. Brown. Theatre Masks Out Side In: Perspectives on Mask History, Design, Construction, and Performance. 1st ed., Routledge, 2023.
Rainier, Chris, and Pico Iyer. Mask. Earth Aware Editions, 2019.
Tseëlon, Efrat, et al. Fashion as Masquerade: Critical Studies in Fashion & Beauty. Vol. 3, Intellect Books, 2014.
Tseëlon, Efrat. Masquerade and Identities Essays on Gender, Sexuality, and Marginality. Routledge, 2001.
Wearing, Gillian, Claude Cahun, et al. Gillian Wearing and Claude Cahun behind the Mask, Another Mask. Princeton University Press, 2017.
Wearing, Gillian, Jennifer Blessing, et al. Gillian Wearing: Wearing Masks. Guggenheim Museum, 2021.
Articles and Journals
Abu Bakr, Sarah. ” A Hijab Proper: The Veil Through Feminist Narrative Inquiry.” Visual Culture & Gender [Online], 9 (2014): 7-17. Web. 24 Mar. 2024
A’ness, Francine. “Resisting Amnesia: Yuyachkani, Performance, and the Postwar Reconstruction of Peru.” Theatre Journal, vol. 56, no. 3, 2004, pp. 395–414.
Keifer-Boyd, K. (2010). Masquerading the immateriality of materiality. In R. W. Sweeny (Ed.), Inter/sections/Inter/actions: Art Education in a Digital Visual Culture (pp. 170-181).
Okafor, Chinyere Grace. “Female Power: Corner Stone or Central Subject in Igbo Mask Performance.” Edited by Falola et al. Emergent Themes and Methods in African Studies: Essays in Honor of Adiele Eberechukwu Afigbo, 2008, pp. 431–446.
Okafor, Chinyere Grace. “Female Power: Cornerstone or Central Subject in Igbo Mask Performance.” Edited by G. E. K. Ofomata and Chudi Uwazurike. A Survey Of The Igbo Nation, vol. 2, 2013.
Okafor, Chinyere Grace. “Gender Politics in West African Mask Performance.” Edited by Stephanie Newell. Writing African Women: Gender, Popular Culture and Literature in West Africa, 1997, pp. 157–169.
Okafor, Chinyere Grace. “Global encounters: Barbie in Nigerian Agbogho-mmuo mask context.” Journal of African Cultural Studies, vol. 19, no. 1, 2007, pp. 37–54.
Okafor, Chinyere Grace. “Rewriting Popular Myths of Female Subordination: Selected Stories by Theodora Adimora‑Ezeigbo and May Ifeoma Nwoye.” Edited by Stephanie Newell. Writing West African Women: Gender, Popular Culture and Literature in West Africa, 1997, pp. 81–94.
Okafor, Chinyere Grace. “The Rejected Corner Stone: Women In Igbo Mask Theater.” Africana Studies and Research Center Newsletter, vol. 4, no. 1, 1992, p. 19‑23-27‑31.
Petkova, Galia. “Onna Mono: The ‘Female Presence’ on the Stage of the All-Male Traditional Japanese Theatre.” Asian Theatre Journal, vol. 32, no. 2, 2015, pp. 387–415.
Petkova, Galia. “Projecting Classicism in Classical Kabuki Theatre – A Gender Perspective.” Edited by 荒木. 古典の未来学 : Projecting Classicism, 2020, pp. 811–835.
Tonkin, Elizabeth. “Masks and Powers.” Man 14, no. 2 (1979): 237–48. https://doi.org/10.2307/2801565.
Yotka, Steff. “‘Fashion for Bank Robbers’ Is an Insta-Obsession for the Anti-Selfie Set.” Vogue, 17 Apr. 2019, https://www.vogue.com/article/fashion-for-bank-robbers-instagram-masks.