Course Spotlight- History of Wine

By foodmaDecember 3rd, 2024

METML 632 A1, History of Wine will be taught by instructor Jacquelyn Groeper, CSW on Tuesday nights from 6:00 PM – 8:45 PM.

In this course we explore the long and complex role wine has played in the history of human civilization. We survey significant developments in the production, distribution, consumption and cultural uses of grape-based alcoholic beverages in the West. We study the economic impact of wine production and consumption from the ancient Near East through the Roman Empire, Europe in the Middle Ages and especially wine's significance in the modern and contemporary world. Particular focus is on wine as a religious symbol, a symbol of status, an object of trade and a consumer beverage in the last few hundred years.

More about the class from Jacquelyn:

"Wine is not just a beverage. Its pre-historical evolution throughout Western Civilization has influenced history, culture, politics, agriculture, science...  This is what I find intriguing about wine.  It is a natural product that first fascinated, then became a necessity, until ultimately impacting all facets of society. As we explore this 8,000 year history, we will also taste different styles of wine to understand how and why they developed. We will examine ways in which contemporary issues such as climate change, politics, and labor arrangements are influencing the production of wine today. Overall, when students understand the intricacies of the history of wine, as is similar with food, I believe there is more of an appreciation for all it brings to the table."

Course Spotlight- Food Marketing

MET ML565, Food Marketing will be taught by our newest part-time faculty member Robin Cohen in Spring 2025. The class will meet on Mondays from 6 to 8:45 PM.

Food Marketing applies the fundamental concepts of marketing and brand management to the food industry, with a particular focus on the New England culinary scene. The food marketing space covers many distinct sectors including products, restaurants, retail outlets, services such as catering, culinary travel and tours, and food events. Although many marketing fundamentals
apply universally, we will examine how each part of the food industry requires specific methodologies, tools, and measures for success.

Even within sectors, tools and approaches will vary. You might promote a small neighborhood shop differently than you would market a nationwide grocery chain. You will have an opportunity to learn how marketing resources, such as social media and AI, are leveling the playing field-allowing the smallest businesses to compete in ways they never could before. The course will present marketing needs from the consumer, manufacturers, maker, buyer, distributor, and service provider point of view. Presentations by a diverse group of industry leaders, readings, and real-world case studies will broaden our understanding. A hands-on project will fuel learning and creative thinking with students selecting to study and report on one specific product or service company.

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Course Spotlight- Culinary Tourism

MET ML 692, Culinary Tourism will be taught this Spring 2025 on Thursdays from 6:00-7:30 p.m. by José López Ganem, with a travel component to New México (United States) during the BU Spring Break ‘25.

Among the higher echelons of the Food Studies canon, Lucy Long’s Culinary Tourism provides a time-proofed definition of this activity “as the intentional, exploratory participation in the foodways of an other.” Our time is plagued by mediatic invitations to
discover (e.g. Anthony Bourdain), re-discover (e.g. Eva Longoria), and re-claimed (e,g.Karen Cantor), via the physical experience of immersing ourselves in foodways -mostly in their place of practice, although not always - that are not part of our daily
routine or were not staples of our upbringing. Based on this definition, a food studies scholar happens to be a conscious culinary tourist for life.

On this course’ second reiteration, Culinary Tourism will be a space to understand the thought and method that have gone into understanding the temporal presence of ourselves in the food customs of another. From the rich history of how we have engaged in the ludic pursuit of food beyond our comfort, to the industries and mechanisms that have made this quest possible. Like Long suggests, this course will engage how food is consumed, prepared, and served to a visitor; and even how foodways can be observed and understood by a stranger’s gaze.

Moreover, the class will undertake a practicum component during our University’s Spring Break (from Tuesday March 11 to Sunday March 16) to the State of New Mexico. The region’s multicultural makeup yet challenging weather makes this corner of the United States a testing ground for the theory we will learn in the classroom. Participation on this trip is mandatory.

Students will be responsible for arranging and paying for flights, lodging, and most meals. The program will be attempting to facilitate the lodging booking process so that all trip participants are staying at the same hotel. The program will cover in-ground
transportation to and from activities, plus any entry fees for those activities, such as museum tickets.

As the Michelin Guide invites the traveler, may this class be so exceptional in our roster of electives that it is “worth a special journey.”

Photo Credits

1. © Michelin Guide / France
2. © La Fonda Inn / University of New Mexico - United States
3. © Harry Kersh and Joe Avella / Food Tours - United States

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Course Spotlight- Fundamentals of Wine

By foodmaNovember 22nd, 2024

METML 649 A1, Fundamentals of Wine will be taught this spring by Ara Sarkissian, CWE and will meet on Mondays from 6 to 8:45pm

For students without previous knowledge of wine, this introductory survey explores the world of wine through discussions, tastings, food and wine pairing, assigned readings, and student presentations. By the end of the course, students will be able to exhibit fundamental knowledge of the principal categories of wine, including major grape varieties, wine styles, and regions; correctly taste and classify wine attributes; and demonstrate an understanding of general principles of food and wine pairing.

[4 credits; $325 lab fee]

To learn more, we touched base with the course instructor, Ara Sarkissian.

  • What is the aim of this course? What kind of student is it for?
"This is for students with little or no background in wine; people who have not necessarily taken any wine classes beyond 'wine appreciation' type of classes, which this is NOT. It's for students curious about learning more about wine; how it's made, how various styles of wine are produced, what the most widespread types of wines are on marketplace, and how to approach food and wine pairings."

 

  • What skills/knowledge do you hope students will leave the course with?
"Students will learn about various styles and categories of wine, and taste them in class. Both well known and more esoteric wines will be explored. Students will leave the class with more confidence to speak about wine, order wine in restaurants, and build upon the foundations that this class teaches. The food/wine pairing classes throughout the semester will allow students to develop their own strategies to pairing wine with food."

 

  • What topic/unit are you most excited to teach?
"The food and wine pairings are very special, combining the culinary aspect of the Food Studies program with the wine curriculum. This allows students to develop confidence experientially through tasting food items and various wines in class along with their peer students."

 

  • What else should students know?
"There will be three hour sessions each on sparkling wines, dessert/late harvest wines, fortified wines, as well as wines from lesser known wine regions. This is a differentiator as most wine studies focus on only mainstream, well known regions."

Course Spotlight- Reading and Writing the Food Memoir

By foodmaNovember 11th, 2024

MET ML615, Reading and Writing the Food Memoir will be taught this spring by Dr. Megan Elias and will meet Wednesdays from 6 to 8:45 PM

What is your food story? If we are what we eat, what foods made you who you are? Was it  fruit from a country you no longer live in or a soup your best friend made when you visited him last week? Did it pour out of a box? Get toasted over open flames? Simmer for a day? And how do you explain its role in your life? Food can be a great connecting theme for a complicated story.

In this course we will ask what makes a food memoir different from other kinds of personal writing and we will work on our own unique food memoirs. Food memoir can take lots of forms, including visual narrative, comics, film, podcast, poetry, walking tour, and creative non-fiction. We will study some examples to learn about the form and workshop our memoirs while we write them. We will also spend some time in the kitchen together cooking from our projects to find out what we can learn by engaging with the material of food itself.

I come to this class with eight years of experience teaching Food Studies at BU and an active research agenda in food history. My recent scholarship focuses on stories about food. I have read a lot of food memoirs but have never written my own and am excited to try it out in community with the class.

Some of the works we will be sampling are:

Thomas Pecore Weso, Good Seeds: A Menominee Indian Food Memoir

Kwame Onwuachi, Notes from a Young Black Chef

Von Diaz, Coconuts and Collards

Yeon-sik Hong, Umma’s Table

Nigel Slater, Toast (movie version)

You will also have an opportunity to suggest material for us to discuss in class.

Course Spotlight – Debating Diet

By catiedOctober 31st, 2024in Courses, Gastronomy at BU

“Those in closest proximity to structural ‘power’ shape our food, body, and health beliefs.” - Patrilie Hernandez, Founder of Embody Lib. 

Fat studies meets food studies in a recently revised course. MET ML613 - Debating Diet, will be taught online in Spring 2025 by Catie Duckworth. 

Course Description: “Diet” hails from the Greek word “diaita” meaning “way of life.” The English word, originally used to describe the food and beverages people regularly consumed, eventually came to be used to categorize a restrictive way of eating, specifically with the goal of weight loss. Evidence of diet culture can be found in nearly every aspect of Western society, from media to nutrition advice. This course will bring together the fields of fat studies and food studies by exploring different meanings of the word diet and in the process dissecting the socio-political influence of diet culture on our food systems, eating habits, and moral associations with food. The course materials will trace the history of anti-fatness from its root in anti-blackness to infiltrating the modern Western healthcare system. Students will have the opportunity to expand their understanding of nourishment through additional functions of food (joy, pleasure, comfort, community, etc.). 

My (Catie’s) research focus sits at the intersection of food studies and fat liberation. I am a trained culinarian, a graduate of the Gastronomy program, and a fat liberationist. My most recent energies have been devoted to developing this course and my volunteer work with Bigger Bodies Boston, a fat liberation collective. It is not only my work but my lived experience as a fat woman that have shaped my understanding of this subject. And I admit with still more to learn, as my positions as a white, educated, cis-gendered person allow me certain privileges denied to more marginalized identities within the fat community.

It is with acknowledgement of my relative privilege that I aim to bring an inclusive fat studies lens into the food studies discipline, inviting guest speakers to expand beyond my own expertise. Readings will include foundational texts like Sabrina Strings' Fearing the Black Body: The Racial Origins of Fat Phobia and Julie Guthman's Weighing In. Some weeks will include more hands-on activities, such as reviewing cookbooks in search of morally coded messages.

Through the texts, class activities, and guest lectures, this course will address the following questions:

  • Who benefits from diet culture? Who is harmed?
  • Why do we label foods as "good" or "bad"?
    • What does "good food" and "bad food" even mean?
  • What are the goals of fat liberation/body liberation?
    • In what ways do these goals conflict with the dominant narratives on food justice?
  • What if optimal individual health is not everyone's goal?
  • How can we decolonize "nutrition" and "wellness"?
  • What different moral values can we decode in language around food/eating?
  • And many more that we will discover along the way!

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Course Spotlight- Culture and Cuisine: New England

By foodmaOctober 31st, 2024

MET ML 638, Culture and Cuisine: New England will be taught this Spring 2025 on Wednesday from 6:00-8:45 p.m. by Dr. Karen Metheny

Course Description: How are the foodways of New England’s inhabitants, past and present, intertwined with the history and culture of this region? In this course, students will have the opportunity to examine the cultural uses and meanings of foods and foodways in New England using historical, archaeological, oral, and material evidence. We will focus on key cultural, religious and political movements that have affected foodways in the region, as well as the movement of people. The course begins with an examination of Native American food traditions and practices in the pre-contact period. We will also consider how foodways mirrored the clash of cultures during an extended period of contact and settlement by Europeans.

How did the Pilgrim settlers respond to a new environment and to new foods in the New World? How did perceptions of their own Englishness change? Old-fashioned Yankee fare is considered emblematic of traditional New England by many writers, and we will consider why this perception exists and when it developed. But New England foodways have also been greatly influenced by immigrant groups in the 19th and 20th centuries. Students will therefore look closely at the food preferences, traditions, and subsistence practices of the Irish, Italian, and Portuguese immigrant communities in New England. We will also look at two cultural phenomena in 20th-century New England—roadside diners and tea houses—to understand the changes wrought by the introduction of the automobile and the interstate highway system, as well as the larger impact of industrialization and commercialization of foods.

Students will travel to Old Sturbridge Village to prepare and enjoy a 19th-century hearth-cooked meal and tour the museum. Other trips to be determined.

Course Spotlight- “Cook Like a Pro”

We are thrilled to add our revamped course, “Cook Like a Pro” to our curriculum next semester: The hands-on, pared-down version of our culinary certificate program, designed for beginners and aspiring cooks alike. In this class you’ll be guided through the fundamentals of meal preparation, ingredient selection, and proper seasoning. You’ll learn how to master essential techniques, from handling a knife like a pro to chopping and sautéing to baking and plating, all while developing good kitchen practices and habits.

Classes take place in our state-of-the-art kitchen and are taught by the same team of highly acclaimed chefs who teach in our professional culinary program, including Jody Adams, Barry Maiden and Michael Leviton (instructors subject to change). While completion of this course does not result in a certificate, it offers a scaled-down version of our professional culinary program. The course covers all the basic core skills with a focus on key recipes and techniques. 

For more about the course, we got the inside scoop from Chef Chris Douglass, Lead Instructor of BU’s Culinary Arts program. 

  • Why offer this course when we already offer a certificate program? 

 

“Our certificate program, while amazing, is a big commitment. But cooking is an essential and basic skill, one you can employ your entire life. This course is meant to give you the tools to confidently navigate the kitchen and professional techniques without that commitment of our more intense program. Another key aspect of this course is access to some of the most respected chefs in the industry, so whether you have zero cooking experience or are interested in building knowledge, you have a fantastic opportunity to work with professionals and receive real feedback.” 

  • What type of student is this course really for?

 

This class is truly for anyone. We designed the curriculum to accommodate varying skill levels, from someone who doesn’t know how to boil water to someone who wants to refine their technique and palate. 

  • What should students expect a typical class period to look like?

 

“Students can expect to build on fundamentals at the beginning of the course, before moving onto more advanced material. They will prepare 2-4 recipes each week with a focus on technique and exploration of flavors. From basic knife skills and application of heat, all the way to honing techniques, students will learn how to cook with staples like eggs, vegetables, meat and fish.”

  • What will students take away from this course?

 

“Students will leave with more confidence to tackle recipes on their own without hesitation. What could be better than that?”

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Course details— Non-Credit Cost: $1,800, Meets: Mondays 6:00 - 8:45 pm, January 27 - April 28, 2025

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Course Spotlight: Artisan Cheeses of the World

By foodmaOctober 1st, 2024

A course centered entirely around cheese? You aren't dreaming, it's real! Taught by Kimi Ceridon, Instructor for the Artisan Cheese Program at Boston University and owner of Live Love Cheese, this class provides an in-depth exploration of the styles and production of cheeses from local to far-reaching regions worldwide. The class is a blend of tastings, experiential classwork, discussion and lectures on cheese, the cheese industry, and cheesemaking. Successful completion of the course will result in a Certificate in Cheese Studies from Boston University.

With an emphasis on understanding the production of cheese, you'll learn about everything from culturing to affinage, and how variations in each process (and those in between) affect its organoleptic properties. You'll also use cheese as a case study in historical and cultural contexts to better understand the relationship and connections between people and food. As an experiential class with hands-on classwork and in-class tastings, each day of class will be exciting, challenging and different, from the cheeses of Southern France one day to a guest panel of cheese experts the next. And later in the semester, you'll take part in a full-day ethnographic tours of cheesemaking farms in New England. You'll visit farms in Vermont to meet with cheesemakers and staff, tour the farm dairy and cheesemaking facility, and observe the cheesemaking process.

Running again in Spring 2025, this course is open to both BU Gastronomy students and non-credit students. Learn more and register here.

We caught up with Kimi for a deeper look inside the program:

What made you want to lead the cheese program?

I initially entered the Gastronomy program because I was interested in local food systems. While earning my MLA, I took the Artisan Cheese Program, and I was immediately excited about how artisanal cheese was. This product encompasses so much about local food systems, from ecology to small family farms to the circular economy to consumers connecting with local foods and makers. There's also the nerdy part of me that loved cheese. I have a master's degree in mechanical engineering from MIT. While I left the STEM field, I still loved science and cheese is this awesome intersection between science and food. It takes science and craft to turn milk, enzymes, molds, cultures and salt into thousands of distinct varieties of cheese. Cheese is magical like that. And, of course, cheese is also super yummy.

What is your favorite thing about interacting with students in the course?

The students are really the best part about the Artisan Cheese class. Everyone is so excited about this magical food product. Everyone has a nostalgic connection to something cheesy. Everyone loves to talk about what they taste and feel when they taste cheese. Cheese is this sensory product that encompasses so much and the students love sharing about it.


What are you most excited for this spring semester?

I expanded the curriculum from six weeks to fourteen weeks last spring. It was a lot of work to create this new format and so much of that first semester was trying to get it to all come together and make sense to everyone in the class. While I'm really proud of what I created, most of it went by in a whirlwind. Last semester was fun for everyone but also stressful for me. So, I am looking forward to being present with the class and students and enjoying the all the work I put into this. But the best part of every semester is the field trip to visit cheesemakers. I really amped up that part of the class last year and I always love meeting these amazing people doing what they love!

What do you hope students will come away with after taking this course?

One of my main goals with the new curriculum was to really give students a strong foundation in cheese, touching on the science, the sensory, the geography, the history, the industry and the people. I want students to leave with a broad overview of how the artisan cheese industry is an incredible example of an interconnected local food system.



What are some of your former students up to now?

One of my former students is opening her own cheese shop. Another just emailed me from the Azores to tell me about a cheese she got to taste. It happened to be one I wrote about in Culture Magazine. Other students are continuing their careers as cheese mongers and really excelling at them. I met some during the American Cheese Society Conference this year. I've done workshops for other student's families and organizations. Others are continuing their cheese journeys. I ran into a student at the Massachusetts Cheese Fest. I hear from my students all the time. This is how cheese works. Everyone loves cheese and they love sharing about their cheese journeys. It's a community and I think that's why so many students stay in touch!


In 2024, Kimi Ceridon, the founder of Life Love Cheese, made Culture Magazine's Hot List of Cheese Professionals for her work educating people about the magic of cheese. Kimi received her MSME from MIT in 2001. She spent over a decade in tech before saying "Goodbye" to the cubicle and starting culinary school. She has an MLA in Gastronomy and an Artisan Cheese Certificate from BU. She's also trained in cheesemaking at Sterling College alongside Jasper Hill. Now, she is an artisan cheese instructor at BU. Her company, Life Love Cheese, focuses on highlighting American cheese makers and artisans with a special emphasis on the Northeast. Look for her new store opening in Wakefield this Winter.

Graduate Spotlight: Lucy Almirudis

By foodmaSeptember 24th, 2024

We recently caught up with Lucy Almirudis (@lucialmirudis), a graduate of Boston University’s Certificate Program in Wine Studies and a member of the 2022 "Urban Grape Wine Studies Award for Students of Color" cohort. Learn more about her story below.

I was born and raised in Sonora, Mexico where I studied architecture and worked as an architect for a couple of years. Seeking a life change, I decided to spend the summer of 2014 in Boston. That's when I met my husband—and it turned into the longest summer of my life. I lived in Boston for a decade and during that time I worked in the restaurant industry, building a career in fine dining and event planning. That’s when I fell in love with wine; realizing that wine made every special occasion even more memorable and that people are willing to invest a lot in a good bottle.

I found out about "The Urban Grape Wine Studies Award for Students of Color" through my best friend and decided to give it a shot to build a career in the wine world.

The owners of “The Urban Grape” store in Boston (a black- and woman-owned business) started the year long program to bring more color into the wine industry. If selected, you take "Wine Studies" Level 2, 3 & 4 at Boston University, along with four (3-month long) sets of internships:
  1.  At the Urban Grape store to learn about retail
  2. With MS Walker to learn about importing and distribution
  3. At Row 34 to learn about the restaurant industry
  4.  At Jackson Family Wines to learn about viticulture, sustainable farming, wine making, branding, marketing, production, direct to consumer, sales and more

Going through the program has been one of the most challenging and rewarding experiences I’ve been through. Because I was working in the restaurant industry and handling wine so closely every day at work; it meant having more very useful knowledge while going through what sounded like a very dynamic experience. I would’ve never imagined my life would end up taking such a drastic turn. I've met so many amazing people, I've learned so much about the wine industry and—the best part—got an opportunity to combine both of my careers: wine and architecture.

My last internship at Jackson Family Wines in California, where I spent time with their Real Estate Department, was particularly formative. It felt truly full circle seeing everything I had been studying and reading about during class in person. I finally got to see the grapes in person, taste them (the Chening Blanc grape is incredibly delicious), witness the wine being made and visit wineries I had only heard of. It was really special!

At the beginning of 2024, I got a job offer that moved me, my husband and our cats to California. I am currently working as an Assistant Project Manager as part of the Jackson Family Wines design team. While interviewing to be part of the Urban Grape Wine Studies Award someone said to me “Would you like to go back to work as an architect? The wine industry touches almost every other industry, your job could be designing wineries and tasting rooms” and I thought to myself “Does a position like that even exist?”

A year and a half later here I am, working with a team that focuses precisely on that, designing wine tasting rooms and guest houses. I would’ve never imagined that through a wine program I would go back to architecture, but I absolutely love it!

I couldn’t be more thankful for having the opportunity to be a part of this program and for my husband’s support through all of it. Thank you Urban Grape and Boston University!

To learn more about "The Urban Grape Wine Studies Award for Students of Color" and how to apply, please visit this resource.