{"id":53255,"date":"2026-03-09T21:44:16","date_gmt":"2026-03-10T01:44:16","guid":{"rendered":"https:\/\/sites.bu.edu\/wtbu\/?p=53255"},"modified":"2026-03-13T11:38:30","modified_gmt":"2026-03-13T15:38:30","slug":"review-the-thing-brighton-music-hall-3-5","status":"publish","type":"post","link":"https:\/\/sites.bu.edu\/wtbu\/2026\/03\/09\/review-the-thing-brighton-music-hall-3-5\/","title":{"rendered":"REVIEW: The Thing @ Brighton Music Hall 3\/5"},"content":{"rendered":"<p>Photo Credit: <span>Yi-Hsuan Li<\/span><\/p>\n<p>Review by <span data-sheets-root=\"1\">Simone DiNota<\/span><\/p>\n<p><span style=\"font-weight: 400;\">It was a cold and rainy Thursday evening, but The Thing brought the heat to Brighton Music Hall for the North American tour of their self-titled third album, \u201cThe Thing.\u201d Playing their entire set with almost no breaks, the band left everything on stage, delivering a performance that felt as personal as it did passionate.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The New York City-based rock group formed in 2022 and has since released two cleverly titled albums, \u201cHere\u2019s the Thing\u201d and \u201cThe Thing Is,\u201d and played 300 shows around the world. The band is composed of lead vocalist and bassist Zane Acord, guitarist and vocalist Jack Bradley, guitarist and vocalist Michael Carter, and drummer Lucas Ebeling. The band members produced their third album on their own record and recorded it live to tape, showcasing the artistry that was on full display during this performance.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The show started with two rock and indie rock openers, Spirit Ghost and Jonny Tex. The members of Spirit Ghost sported blazers, which were fitting because they were all business. Both Spirit Ghost and Jonny Tex packed as much as they could into their 30-minute sets, and, despite the rather sparse crowd, they started the show off with a powerful punch.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The Thing took the stage under pink fluorescent lights. Oddly, the headlining four-piece began with an unfamiliar instrumental song. By the end of the show, this piece felt more intentional: it was a warmup before a physically demanding set and a look into the band\u2019s unfiltered musical process.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">After thanking their openers and addressing the audience with a classic \u201cBoston, how are we doing?\u201d the band jumped into some hits from their most recent album, \u201cDave\u2019s TV\u201d and \u201cAbove Snakes.\u201d Each musician had a distinct set of mannerisms on stage, and yet, they all seemed to move in sync while playing their respective instruments. It was clear that the band members weren\u2019t just aligned as artists, but as people.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cYou\u2019re The One\u201d began with a reflective vocal section, allowing Acord to show off his impressive falsetto. During that song, \u201cFamily Business,\u201d and \u201cNeptunne,\u201d Acord also noticeably played his bass while raising it near his shoulders. It felt like a subtle flex of undeniable musical talent.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The band introduced a slow section in the set, where Carter took over on vocals for \u201cHoly Water\u201d and \u201cThe Waltz.\u201d Despite having a sultry tempo, the songs still thrummed with the same intensity as the band\u2019s upbeat rock tunes, which felt both authentic to the band yet deeply vulnerable.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cBeige Bouquet\u201d offered a stark juxtaposition to the slow section with a minute-long drum solo. The audience went wild as Ebeling played with an unmatched intensity. His fellow band members ducked so he could own the stage.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Throughout the set, each song bled into another, often with no transitional pauses. During an instrumental break in \u201cAna De Armas,\u201d it was as if the audience wasn\u2019t even there. Acord and Bradley joined together at center stage, and you could almost imagine the band jamming in a rehearsal studio, just appreciating the joy of playing together.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The band ended their set with a cover of \u201cMy Generation\u201d by The Who. It was a total crowd pleaser. Audience members sang along as the band members took turns with each verse. At the last chorus, all of the musicians sang into one mic in unison.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The band kept with the show\u2019s theme of timeliness, and the audience only had to wait a few minutes for the encore. Though a chunk of the crowd had dispersed, likely to beat the traffic in the poor weather, those who stayed didn\u2019t stop cheering until the musicians were back on stage. Acord thanked the remaining audience members, and the band played one of their funkier hits, \u201cAmerica,\u201d which was a strong end to a strong set.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The thing is that The Thing is going places. With some absolute bangers and a genuine commitment to the craft, their music can warm up even the coldest night.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Photo Credit: Yi-Hsuan Li Review by Simone DiNota It was a cold and rainy Thursday evening, but The Thing brought the heat to Brighton Music Hall for the North American tour of their self-titled third album, \u201cThe Thing.\u201d Playing their entire set with almost no breaks, the band left everything on stage, delivering a performance [&hellip;]<\/p>\n","protected":false},"author":25732,"featured_media":53256,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1525,1523,15],"tags":[],"_links":{"self":[{"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/posts\/53255"}],"collection":[{"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/users\/25732"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/comments?post=53255"}],"version-history":[{"count":3,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/posts\/53255\/revisions"}],"predecessor-version":[{"id":53282,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/posts\/53255\/revisions\/53282"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/media\/53256"}],"wp:attachment":[{"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/media?parent=53255"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/categories?post=53255"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/tags?post=53255"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}