{"id":47553,"date":"2025-04-02T19:09:16","date_gmt":"2025-04-02T23:09:16","guid":{"rendered":"https:\/\/sites.bu.edu\/wtbu\/?p=47553"},"modified":"2025-04-02T19:09:16","modified_gmt":"2025-04-02T23:09:16","slug":"rebecca-black-the-sinclair-3-31","status":"publish","type":"post","link":"https:\/\/sites.bu.edu\/wtbu\/2025\/04\/02\/rebecca-black-the-sinclair-3-31\/","title":{"rendered":"Rebecca Black @ The Sinclair 3\/31"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">Photography by Gwyneth Moe<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Review by Kendal Evans<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Gotta get down on Fri\u2013 Monday? This past Monday night, Rebecca Black brought the boiler room to The Sinclair in Cambridge as part of her Salvation Tour.<\/span><\/p>\n<p><img loading=\"lazy\" src=\"\/wtbu\/files\/2025\/04\/untitled-4.jpg\" alt=\"\" width=\"2600\" height=\"3456\" class=\"size-full wp-image-47554 aligncenter\" srcset=\"https:\/\/sites.bu.edu\/wtbu\/files\/2025\/04\/untitled-4.jpg 2600w, https:\/\/sites.bu.edu\/wtbu\/files\/2025\/04\/untitled-4-478x636.jpg 478w, https:\/\/sites.bu.edu\/wtbu\/files\/2025\/04\/untitled-4-770x1024.jpg 770w, https:\/\/sites.bu.edu\/wtbu\/files\/2025\/04\/untitled-4-768x1021.jpg 768w, https:\/\/sites.bu.edu\/wtbu\/files\/2025\/04\/untitled-4-1156x1536.jpg 1156w, https:\/\/sites.bu.edu\/wtbu\/files\/2025\/04\/untitled-4-1541x2048.jpg 1541w\" sizes=\"(max-width: 2600px) 100vw, 2600px\" \/><\/p>\n<p><span style=\"font-weight: 400;\">Most know Rebecca Black as an early YouTube viral sensation, but over the years she has evolved into something much greater. Simply put \u2014 she is a pop star. Her second studio album \u201cSalvation,\u201d which was released in late February, has been revered by the queer club and rave scene as pure, hyperpop fun. It has even garnered praise from known harsh critics, such as Anthony Fantano, who said that with this project, Black has taken \u201canother step forward in showing us that she is a pop artist worth watching over the next several years.\u201d<\/span><\/p>\n<p><img loading=\"lazy\" src=\"\/wtbu\/files\/2025\/04\/untitled-9.jpg\" alt=\"\" width=\"2494\" height=\"4142\" class=\"size-full wp-image-47557 aligncenter\" srcset=\"https:\/\/sites.bu.edu\/wtbu\/files\/2025\/04\/untitled-9.jpg 2494w, https:\/\/sites.bu.edu\/wtbu\/files\/2025\/04\/untitled-9-383x636.jpg 383w, https:\/\/sites.bu.edu\/wtbu\/files\/2025\/04\/untitled-9-617x1024.jpg 617w, https:\/\/sites.bu.edu\/wtbu\/files\/2025\/04\/untitled-9-768x1275.jpg 768w, https:\/\/sites.bu.edu\/wtbu\/files\/2025\/04\/untitled-9-925x1536.jpg 925w, https:\/\/sites.bu.edu\/wtbu\/files\/2025\/04\/untitled-9-1233x2048.jpg 1233w\" sizes=\"(max-width: 2494px) 100vw, 2494px\" \/><\/p>\n<p><span style=\"font-weight: 400;\">The show opened with support from Montreal-based electronic-pop duo Blue Hawaii, comprised of members Raphaelle &#8220;Ra&#8221; Standell-Preston and Alexander Kirby. Alexander took charge of the instrumental and mixing with a DJ setup on stage, and Ra brought the vocals.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Their set, which they said was to \u201clube you guys [us] up for Rebecca Black,\u201d really delivered. They played a mix of songs from their 2024 album \u201cDiamond Shovel,\u201d new singles, and unreleased tracks. I found their strongest performance to be of an untitled unreleased track, with powerful lyrics about living in a capitalist hell set to an intense, rave-pop beat. After performing it, Ra used her platform to speak on the current socio-political nightmare state of the world and advocated for a free Palestine and a free Ukraine. Shortly after, she took a tequila shot like a champ and sang her heart out to the following tracks, all with a vocal injury! All in all, the duo brought exactly the energy needed to prepare us for Salvation. Blue Hawaii will continue to support Rebecca Black for the remainder of her Salvation tour.\u00a0<\/span><\/p>\n<p><img loading=\"lazy\" src=\"\/wtbu\/files\/2025\/04\/untitled-7.jpg\" alt=\"\" width=\"5184\" height=\"3456\" class=\"size-full wp-image-47556 aligncenter\" srcset=\"https:\/\/sites.bu.edu\/wtbu\/files\/2025\/04\/untitled-7.jpg 5184w, https:\/\/sites.bu.edu\/wtbu\/files\/2025\/04\/untitled-7-636x424.jpg 636w, https:\/\/sites.bu.edu\/wtbu\/files\/2025\/04\/untitled-7-1024x683.jpg 1024w, https:\/\/sites.bu.edu\/wtbu\/files\/2025\/04\/untitled-7-768x512.jpg 768w, https:\/\/sites.bu.edu\/wtbu\/files\/2025\/04\/untitled-7-1536x1024.jpg 1536w, https:\/\/sites.bu.edu\/wtbu\/files\/2025\/04\/untitled-7-2048x1365.jpg 2048w\" sizes=\"(max-width: 5184px) 100vw, 5184px\" \/><\/p>\n<p><span style=\"font-weight: 400;\">At precisely 9 p.m., a countdown clock began, and the crowd locked in. At the end of the countdown, the word \u201cFriday\u201d took over the on-stage display in bright pink lettering, and the remix version of her earliest hit \u201cFriday\u201d started playing. It ended with a voice: \u201cOrder in the court, Rebecca Black is guilty.\u201d Immediately, her two incredibly talented backup dancers, Joseph Szekula and Charles Fournier, took to the stage, wearing sparkly police caps, and aggressively made out. It was incredible.\u00a0<\/span><\/p>\n<p><img loading=\"lazy\" src=\"\/wtbu\/files\/2025\/04\/untitled-13.jpg\" alt=\"\" width=\"3007\" height=\"4318\" class=\"size-full wp-image-47558 alignnone\" srcset=\"https:\/\/sites.bu.edu\/wtbu\/files\/2025\/04\/untitled-13.jpg 3007w, https:\/\/sites.bu.edu\/wtbu\/files\/2025\/04\/untitled-13-443x636.jpg 443w, https:\/\/sites.bu.edu\/wtbu\/files\/2025\/04\/untitled-13-713x1024.jpg 713w, https:\/\/sites.bu.edu\/wtbu\/files\/2025\/04\/untitled-13-768x1103.jpg 768w, https:\/\/sites.bu.edu\/wtbu\/files\/2025\/04\/untitled-13-1070x1536.jpg 1070w, https:\/\/sites.bu.edu\/wtbu\/files\/2025\/04\/untitled-13-1426x2048.jpg 1426w\" sizes=\"(max-width: 3007px) 100vw, 3007px\" \/><\/p>\n<p><span style=\"font-weight: 400;\">Then, Ms. Rebecca Black herself finally came out. She started her set with two hits from her new album, \u201cTears In My Pocket\u201d and \u201cTRUST!\u201d While she performed, Charles and Joseph unwrapped the white sheath surrounding her, revealing an incredible outfit: the teeniest denim miniskirt there ever was and a crop top that read \u201cI\u2019m confused.\u201d Her vocals were particularly strong during \u201cTRUST!\u201d \u2014 it really \u201cgot me going like ga ga ga\u201d and set the tone for the rest of the show.\u00a0<\/span><\/p>\n<p><img loading=\"lazy\" src=\"\/wtbu\/files\/2025\/04\/untitled-33.jpg\" alt=\"\" width=\"3456\" height=\"5184\" class=\"size-full wp-image-47563 aligncenter\" srcset=\"https:\/\/sites.bu.edu\/wtbu\/files\/2025\/04\/untitled-33.jpg 3456w, https:\/\/sites.bu.edu\/wtbu\/files\/2025\/04\/untitled-33-424x636.jpg 424w, https:\/\/sites.bu.edu\/wtbu\/files\/2025\/04\/untitled-33-683x1024.jpg 683w, https:\/\/sites.bu.edu\/wtbu\/files\/2025\/04\/untitled-33-768x1152.jpg 768w, https:\/\/sites.bu.edu\/wtbu\/files\/2025\/04\/untitled-33-1024x1536.jpg 1024w, https:\/\/sites.bu.edu\/wtbu\/files\/2025\/04\/untitled-33-1365x2048.jpg 1365w\" sizes=\"(max-width: 3456px) 100vw, 3456px\" \/><\/p>\n<p><span style=\"font-weight: 400;\">The next run of songs Rebecca performed was consistently strong. It started with \u201cTwist the Knife,\u201d which was another incredible vocal standout and one of my favorites of the night. Then, she showcased her talent for dance during \u201cAmerican Doll.\u201d Charles and Joseph started the performance with an incredible routine carrying prop guns, and then Rebecca came out in a brand new outfit, which included a denim corset with a massive bullet bra. (Your honor, she served).\u00a0 She continued to bring on the song-dance double threat as she played \u201cCrumbs\u201d and \u201cSick to My Stomach&#8221; from her first studio album \u201cLet Her Burn\u201d, as well as \u201cDo You Even Think About Me?\u201d from Salvation and \u201cPersonal\u201d from her EP \u201cRebecca Black Was Here.\u201d\u00a0<\/span><\/p>\n<p><img loading=\"lazy\" src=\"\/wtbu\/files\/2025\/04\/untitled-29.jpg\" alt=\"\" width=\"5184\" height=\"3456\" class=\"size-full wp-image-47562 aligncenter\" srcset=\"https:\/\/sites.bu.edu\/wtbu\/files\/2025\/04\/untitled-29.jpg 5184w, https:\/\/sites.bu.edu\/wtbu\/files\/2025\/04\/untitled-29-636x424.jpg 636w, https:\/\/sites.bu.edu\/wtbu\/files\/2025\/04\/untitled-29-1024x683.jpg 1024w, https:\/\/sites.bu.edu\/wtbu\/files\/2025\/04\/untitled-29-768x512.jpg 768w, https:\/\/sites.bu.edu\/wtbu\/files\/2025\/04\/untitled-29-1536x1024.jpg 1536w, https:\/\/sites.bu.edu\/wtbu\/files\/2025\/04\/untitled-29-2048x1365.jpg 2048w\" sizes=\"(max-width: 5184px) 100vw, 5184px\" \/><\/p>\n<p><span style=\"font-weight: 400;\">After that incredibly strong run, I did not know how the show could get better, but it did. Rebecca took a short break from performing to address how happy she was to be back at the Sinclair, where she kicked off her first-ever headlining tour. Then, she wished her dancer Charles a very happy birthday before kicking off the \u201cSugar Water Cyanide\u201d segment. During the segment, she brought a fan on stage to drink the \u201cSugar Water Cyanide\u201d before she performed the hit, which has been going viral on TikTok. It was easily the most energetic and fun song of the night. The audience was bouncing and singing along as trippy, rave visuals played on the display behind her.<\/span><\/p>\n<p><img loading=\"lazy\" src=\"\/wtbu\/files\/2025\/04\/untitled-46.jpg\" alt=\"\" width=\"2778\" height=\"3152\" class=\"size-full wp-image-47569 aligncenter\" srcset=\"https:\/\/sites.bu.edu\/wtbu\/files\/2025\/04\/untitled-46.jpg 2778w, https:\/\/sites.bu.edu\/wtbu\/files\/2025\/04\/untitled-46-561x636.jpg 561w, https:\/\/sites.bu.edu\/wtbu\/files\/2025\/04\/untitled-46-902x1024.jpg 902w, https:\/\/sites.bu.edu\/wtbu\/files\/2025\/04\/untitled-46-768x871.jpg 768w, https:\/\/sites.bu.edu\/wtbu\/files\/2025\/04\/untitled-46-1354x1536.jpg 1354w, https:\/\/sites.bu.edu\/wtbu\/files\/2025\/04\/untitled-46-1805x2048.jpg 1805w\" sizes=\"(max-width: 2778px) 100vw, 2778px\" \/><\/p>\n<p><span style=\"font-weight: 400;\">The main set closed on a banging note with \u201cBetter In My Memory\u201d and \u201cWorth It for the Feeling,\u201d from her aforementioned EP. But, with the energy in the room so high, the crowd was not ready for the show to be over. The people next to me even started a chant for \u201cone more song.\u201d<\/span><\/p>\n<p><img loading=\"lazy\" src=\"\/wtbu\/files\/2025\/04\/untitled-49.jpg\" alt=\"\" width=\"2228\" height=\"3412\" class=\"size-full wp-image-47571 aligncenter\" srcset=\"https:\/\/sites.bu.edu\/wtbu\/files\/2025\/04\/untitled-49.jpg 2228w, https:\/\/sites.bu.edu\/wtbu\/files\/2025\/04\/untitled-49-415x636.jpg 415w, https:\/\/sites.bu.edu\/wtbu\/files\/2025\/04\/untitled-49-669x1024.jpg 669w, https:\/\/sites.bu.edu\/wtbu\/files\/2025\/04\/untitled-49-768x1176.jpg 768w, https:\/\/sites.bu.edu\/wtbu\/files\/2025\/04\/untitled-49-1003x1536.jpg 1003w, https:\/\/sites.bu.edu\/wtbu\/files\/2025\/04\/untitled-49-1337x2048.jpg 1337w\" sizes=\"(max-width: 2228px) 100vw, 2228px\" \/><\/p>\n<p><span style=\"font-weight: 400;\">On cue, Rebecca and her dancers returned for the encore. She started it with her collaboration with Slayyter, \u201cRead My Mind,\u201d which was a wonderful blend of hyperpop with electric rock components. Then, she slowed it down a bit to play her song \u201cGirlfriend,\u201d which was a nice palette cleanser before she closed out the show with her latest album\u2019s title track. \u201cSalvation\u201d was a perfect way to end the show. Her dancers brought the energy with some of the coolest choreography of the night. Here, Rebecca showed how to close a show, bringing what I thought was another standout performance from the night.<\/span><\/p>\n<p><img loading=\"lazy\" src=\"\/wtbu\/files\/2025\/04\/untitled-42.jpg\" alt=\"\" width=\"3456\" height=\"5184\" class=\"size-full wp-image-47566 aligncenter\" srcset=\"https:\/\/sites.bu.edu\/wtbu\/files\/2025\/04\/untitled-42.jpg 3456w, https:\/\/sites.bu.edu\/wtbu\/files\/2025\/04\/untitled-42-424x636.jpg 424w, https:\/\/sites.bu.edu\/wtbu\/files\/2025\/04\/untitled-42-683x1024.jpg 683w, https:\/\/sites.bu.edu\/wtbu\/files\/2025\/04\/untitled-42-768x1152.jpg 768w, https:\/\/sites.bu.edu\/wtbu\/files\/2025\/04\/untitled-42-1024x1536.jpg 1024w, https:\/\/sites.bu.edu\/wtbu\/files\/2025\/04\/untitled-42-1365x2048.jpg 1365w\" sizes=\"(max-width: 3456px) 100vw, 3456px\" \/><\/p>\n<p><span style=\"font-weight: 400;\">After this performance, I\u2019m convinced that Rebecca Black could be on track to become a main pop girl, a la Tate McRae and Charli xcx, if she continues to ride this momentum. It is absolutely worth it to catch a show on the Salvation tour, or a DJ set by her if she is coming to your area. This was easily the most fun night I\u2019ve had in awhile and will remain a highlight concert experience for the year.\u00a0<\/span><img loading=\"lazy\" src=\"\/wtbu\/files\/2025\/04\/untitled-48.jpg\" alt=\"\" width=\"2350\" height=\"2838\" class=\"size-full wp-image-47570 aligncenter\" srcset=\"https:\/\/sites.bu.edu\/wtbu\/files\/2025\/04\/untitled-48.jpg 2350w, https:\/\/sites.bu.edu\/wtbu\/files\/2025\/04\/untitled-48-527x636.jpg 527w, https:\/\/sites.bu.edu\/wtbu\/files\/2025\/04\/untitled-48-848x1024.jpg 848w, https:\/\/sites.bu.edu\/wtbu\/files\/2025\/04\/untitled-48-768x927.jpg 768w, https:\/\/sites.bu.edu\/wtbu\/files\/2025\/04\/untitled-48-1272x1536.jpg 1272w, https:\/\/sites.bu.edu\/wtbu\/files\/2025\/04\/untitled-48-1696x2048.jpg 1696w\" sizes=\"(max-width: 2350px) 100vw, 2350px\" \/><img loading=\"lazy\" src=\"\/wtbu\/files\/2025\/04\/untitled-14.jpg\" alt=\"\" width=\"2896\" height=\"3739\" class=\"size-full wp-image-47559 aligncenter\" srcset=\"https:\/\/sites.bu.edu\/wtbu\/files\/2025\/04\/untitled-14.jpg 2896w, https:\/\/sites.bu.edu\/wtbu\/files\/2025\/04\/untitled-14-493x636.jpg 493w, https:\/\/sites.bu.edu\/wtbu\/files\/2025\/04\/untitled-14-793x1024.jpg 793w, https:\/\/sites.bu.edu\/wtbu\/files\/2025\/04\/untitled-14-768x992.jpg 768w, https:\/\/sites.bu.edu\/wtbu\/files\/2025\/04\/untitled-14-1190x1536.jpg 1190w, https:\/\/sites.bu.edu\/wtbu\/files\/2025\/04\/untitled-14-1586x2048.jpg 1586w\" sizes=\"(max-width: 2896px) 100vw, 2896px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Photography by Gwyneth Moe Review by Kendal Evans Gotta get down on Fri\u2013 Monday? This past Monday night, Rebecca Black brought the boiler room to The Sinclair in Cambridge as part of her Salvation Tour. Most know Rebecca Black as an early YouTube viral sensation, but over the years she has evolved into something much [&hellip;]<\/p>\n","protected":false},"author":22960,"featured_media":47560,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1895,1525,1523,15,1530],"tags":[1974,1128,2340,517,2223,2339,254,378,2338,140,2320,25],"_links":{"self":[{"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/posts\/47553"}],"collection":[{"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/users\/22960"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/comments?post=47553"}],"version-history":[{"count":1,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/posts\/47553\/revisions"}],"predecessor-version":[{"id":47573,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/posts\/47553\/revisions\/47573"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/media\/47560"}],"wp:attachment":[{"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/media?parent=47553"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/categories?post=47553"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/tags?post=47553"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}