{"id":4129,"date":"2019-03-29T10:49:25","date_gmt":"2019-03-29T15:49:25","guid":{"rendered":"https:\/\/sites.bu.edu\/wtbu\/?p=4129"},"modified":"2019-12-17T19:57:11","modified_gmt":"2019-12-18T00:57:11","slug":"album-review-logic-supermarket","status":"publish","type":"post","link":"https:\/\/sites.bu.edu\/wtbu\/2019\/03\/29\/album-review-logic-supermarket\/","title":{"rendered":"ALBUM REVIEW: Logic &#8211; Supermarket"},"content":{"rendered":"<p><em><span style=\"font-weight: 400;\">By Jarrad Levy<\/span><\/em><\/p>\n<p><span style=\"font-weight: 400;\">Attention everyone, there is a goldmine on aisle five, and that goldmine is Logic\u2019s fifth studio album, <\/span><i><span style=\"font-weight: 400;\">Supermarket<\/span><\/i><span style=\"font-weight: 400;\">.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In tandem with his book release of the same title, the rapper and hip hop artist, Logic, has effectively refreshed his style, trading in his 808s and signature flow for a guitar and a rawness never before heard in his music. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">After releasing two other albums in the last year, Logic could not rest on his laurels and release another turnup album about being biracial and working hard. While he is a gifted rapper and an even better lyricist, a third album that sounds like his last two would have been met with resentment, as no one needs three albums by the same artist that all sound virtually the same in the span of a year. Thankfully, not only is Logic showcasing more emotional and heartbroken lyrics, but he released what is essentially an indie-rock album.<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Supermarket<\/span><\/i><span style=\"font-weight: 400;\"> begins with \u201cBohemian Trapsody,\u201d a clever play on one of the most popular songs of all time that has found a resurgence in popularity after the release of the Queen biopic, <\/span><i><span style=\"font-weight: 400;\">Bohemian Rhapsody<\/span><\/i><span style=\"font-weight: 400;\">. The song is just what the title sounds like it would be. Like the song \u201cBohemian Rhapsody,\u201d the track incorporates many different styles over the course of six minutes, mixing Logic\u2019s signature trap sound with the indie-rock sounds that would be present through the rest of the album. \u201cTrapsody\u201d is a perfect introduction to <\/span><i><span style=\"font-weight: 400;\">Supermarket<\/span><\/i><span style=\"font-weight: 400;\">, as it combines the \u201cold\u201d and \u201cnew\u201d Logic into one song to prepare audiences for the journey that they are about to go on.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Throughout the album, Logic presents listeners with a shockingly strong voice for a first time singer. The sing \u201cCan I Kick It\u201d has some of the most impressive vocals of the whole album with Logic hitting some surprisingly high notes.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Last spring, Logic had gotten divorced from his wife of two years and you can certainly feel it throughout the record, specifically on \u201cTime Machine,\u201d \u201cPretty Young Girl,\u201d and \u2018DeLorean.\u201d There are conti<\/span>nual voice cracks and vocal breaks to emphasize the sadness that blankets the album as a whole.<\/p>\n<p><span style=\"font-weight: 400;\">The titular song, \u201cSupermarket,\u201d is lyrically the most impressive song on the album, discussing how the narrator goes shopping several times a week just to see a girl who he\u2019s interested in. The song combines heartbreak, insecurity, love, and comedy in one of Logic\u2019s best songs regardless of genre.<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Supermarket<\/span><\/i><span style=\"font-weight: 400;\"> is nearly perfect for a brief adventure into the genre of rock and roll for a rapper. While the tone and content of Logic\u2019s music has drastically changed, he retains much of his signature style so that a listener could still identify this album as one of Logic\u2019s.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">To any listeners unhappy with the sound Logic brings to the table with <\/span><i><span style=\"font-weight: 400;\">Supermarket<\/span><\/i><span style=\"font-weight: 400;\">, fear not, as he has already announced his sixth studio album, <\/span><i><span style=\"font-weight: 400;\">Confessions of a Dangerous Mind<\/span><\/i><span style=\"font-weight: 400;\"> that features his last two singles: the mega-hit \u201cKeanu Reeves\u201d and last Friday\u2019s \u201cConfessions of a Dangerous Mind\u201d that both feature Logic as his rapping, biracial, fire-spitting \u00a0self.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Standout tracks from <\/span><i><span style=\"font-weight: 400;\">Supermarket<\/span><\/i><span style=\"font-weight: 400;\"> include \u201cBohemian Trapsody,\u201d \u201cPretty young Girl,\u201d \u201cSupermarket,\u201d \u201cBy the Bridge,\u201d and \u201cLemon Drop.\u201d<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>By Jarrad Levy Attention everyone, there is a goldmine on aisle five, and that goldmine is Logic\u2019s fifth studio album, Supermarket. In tandem with his book release of the same title, the rapper and hip hop artist, Logic, has effectively refreshed his style, trading in his 808s and signature flow for a guitar and a [&hellip;]<\/p>\n","protected":false},"author":15726,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1524],"tags":[157,718,719],"_links":{"self":[{"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/posts\/4129"}],"collection":[{"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/users\/15726"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/comments?post=4129"}],"version-history":[{"count":1,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/posts\/4129\/revisions"}],"predecessor-version":[{"id":4132,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/posts\/4129\/revisions\/4132"}],"wp:attachment":[{"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/media?parent=4129"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/categories?post=4129"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/tags?post=4129"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}