{"id":41056,"date":"2024-04-01T14:52:24","date_gmt":"2024-04-01T18:52:24","guid":{"rendered":"https:\/\/sites.bu.edu\/wtbu\/?p=41056"},"modified":"2024-04-01T14:52:24","modified_gmt":"2024-04-01T18:52:24","slug":"review-josiah-and-the-bonnevilles-3-26-paradise-rock-club","status":"publish","type":"post","link":"https:\/\/sites.bu.edu\/wtbu\/2024\/04\/01\/review-josiah-and-the-bonnevilles-3-26-paradise-rock-club\/","title":{"rendered":"REVIEW: JOSIAH AND THE BONNEVILLES 3\/26 @ PARADISE ROCK CLUB"},"content":{"rendered":"<p>Photo by Dan Winters<\/p>\n<p>Review by Katelyn Poe<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">The stage bore a bouquet of balloons, and hundreds filed into Paradise Rock Club on Tuesday, wearing party hats, to celebrate the birthday of American singer-songwriter Josiah Leming, the man behind Josiah and the Bonnevilles.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Fans had to wait an hour longer than expected for this special night of Josiah and the Bonneville\u2019s tour. Leming announced on his official Instagram story that the opener, Mon Rov\u00cea, would not make it to the performance. But with no other official announcement, the line still wrapped down the block and around the corner for an 8 P.M. start time, and fans waited until after 9:00 P.M. for the show to start.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">However, the delay did not negatively affect fans\u2019 experiences. Lemming put on a heartfelt, authentic, emotional show that left his audience reeling. When the time finally came, he took the stage in jeans and a T-shirt. Fans welcomed him with warm excitement despite the delay. Several girls in the front row sang \u201cHappy Birthday\u201d to him when he announced it was his birthday. Leming listened and smiled; he was serenaded twice before the night ended.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Leming lovingly refers to his fans as \u201cthe Bonnevilles.\u201d He grew up in Morristown, Tennessee, where he dropped out of high school at 17 to pursue music in Los Angeles. After a brief stint on American Idol, three failed record deals (commemorated with a \u201cNo More Deals\u201d tattoo on his wrist,) and a miserable Amazon warehouse job, Leming found inspiration again doing country covers of pop songs in 2022, which successfully put him in the spotlight. Leming performed at Paradise Rock Club on Tuesday, March 26, 2024 as part of his first-ever headlining tour\u2014and his 35th birthday. The tour is to promote his 2023 album of original songs: \u201cEndurance.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Josiah and the Bonnevilles plays a touching blend of Americana and indie folk. His songs consist of acoustic guitar and vocals, occasionally accompanied by harmonica and keys. Despite the minimalistic setup, Josiah and the Bonnevilles are more than just another iteration of the \u201cman and a guitar\u201d trope; he tailors his music and performance to the taste of his audience. He told the crowd he had no problem being known as \u201cthe cover guy;\u201d he\u2019d sing whatever it took to see those pleased looks on his audience\u2019s faces. Singing for a crowd is, in his own words, \u201cthe greatest honor of my life.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Josiah and the Bonnevilles set an intimate and introspective tone for the night by kicking it off with \u201cBack to Tennessee.\u201d His music is an expression of his life experiences and upbringing. After \u201cCold Blood,\u201d an ode to his struggles with addiction and mental health, and \u201cSix Dollar Check,\u201d a playful tune poking fun at streaming royalties, Leming cheekily announced that he would perform the Trinity of Heartbreak\u2014three songs dedicated to a past relationship\u2014and then not speak about the gut-wrenchingly sad songs or the story behind them for the rest of the night. The song \u201cStolen Love\u201d commemorated falling in love, \u201cBurn\u201d marked the height of his heartbreak, and \u201cHey Violet\u201d closed the chapter with an air of resolution, hope, and forward movement, leaving his audience, like Lemming himself, ready to move on from the angst.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The rituals he performed on stage exemplify his passion. He lovingly told the audience the stories behind each piece while quietly strumming along as though sitting around a campfire in Appalachia. After singing, he would step out of the spotlight to tune his guitar. He joked that he liked it when the audience \u201cdebriefed\u201d during this time; silence made him nervous. Leming gifted his pick to an audience member after each song, once asking the crowd to pass it on to a fan at the back of the venue.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">For the show&#8217;s next segment, Leming strapped on his harmonica holder to perform a series of country covers. He started with Taylor Swift\u2019s \u201cAnti-Hero\u201d and then moved to Elle King&#8217;s \u201cJersey Giant.\u201d Leming sang Justin Bieber\u2019s \u201cGhost\u201d after a heartfelt dedication to his mother, who lost her battle with cancer. He stopped singing during an extra chorus he tacked on at the end, and emotions ran high as the audience sang it for him.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Leming\u2019s gratitude for his fans and his success seeped through every moment of his performance. He smiled and thanked the audience profusely, saying, \u201cIt\u2019s all for you\u201d and \u201cI love y\u2019all so much\u201d repeatedly. Josiah and the Bonnevilles wrapped up with \u201cBasic Channels\u201d after a few more songs.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Leming could hardly part from his audience; he was only backstage for thirty seconds before coming back for an encore in a flurry of waves, smiles, and heart-shaped hand gestures. He acknowledged it was late on a Tuesday and asked the audience if he could sing again: \u201cI\u2019ve got three more on my heart.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Josiah and the Bonnevilles transitioned to a keyboard on the far right of the stage, playfully tapping out the first few notes of the \u201cCheers\u201d theme song. He thanked those who saw him at other Boston venues that hosted him at the beginning of his career, notably the Middle East and Cafe 939, before playing \u201cOne Last Song.\u201d After the audience sang \u201cHappy Birthday\u201d to him again, he finished the concert off with \u201cLithuania,\u201d a cheeky story about Leming getting banned from United Airlines, and \u201cBlood Moon,\u201d one of his most famous songs.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Despite the delayed start, Josiah and the Bonnevilles\u2019 Tuesday show at Paradise Rock was undoubtedly successful. Leming\u2019s ability to imbue even the most mundane with meaning, like getting a six-dollar check or watching the primary cable television channels, reflects his gratitude for his musical success. The show felt incredibly intimate with his twangy voice, soulful guitar, and the audience quietly singing. Anyone looking for a personal and poignant performance that captures the Appalachian spirit should add Josiah and the Bonnevilles to their list. Leming said he\u2019ll never forget turning 35 in Boston, and the audience certainly won\u2019t either.\u00a0<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Photo by Dan Winters Review by Katelyn Poe &nbsp; The stage bore a bouquet of balloons, and hundreds filed into Paradise Rock Club on Tuesday, wearing party hats, to celebrate the birthday of American singer-songwriter Josiah Leming, the man behind Josiah and the Bonnevilles. Fans had to wait an hour longer than expected for this [&hellip;]<\/p>\n","protected":false},"author":21826,"featured_media":41057,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1525,1523,15],"tags":[],"_links":{"self":[{"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/posts\/41056"}],"collection":[{"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/users\/21826"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/comments?post=41056"}],"version-history":[{"count":1,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/posts\/41056\/revisions"}],"predecessor-version":[{"id":41058,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/posts\/41056\/revisions\/41058"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/media\/41057"}],"wp:attachment":[{"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/media?parent=41056"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/categories?post=41056"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/tags?post=41056"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}