{"id":41052,"date":"2024-03-31T18:16:52","date_gmt":"2024-03-31T22:16:52","guid":{"rendered":"https:\/\/sites.bu.edu\/wtbu\/?p=41052"},"modified":"2024-03-31T18:16:52","modified_gmt":"2024-03-31T22:16:52","slug":"review-the-magnetic-fields-roadrunner-3-25","status":"publish","type":"post","link":"https:\/\/sites.bu.edu\/wtbu\/2024\/03\/31\/review-the-magnetic-fields-roadrunner-3-25\/","title":{"rendered":"REVIEW: THE MAGNETIC FIELDS @ ROADRUNNER 3\/25"},"content":{"rendered":"

Photo by: Marcelo Krasilcic<\/span><\/p>\n

Review by Sophie Lentz<\/p>\n

 <\/p>\n

On Monday night, the Magnetic Fields returned to Boston, where they first formed 35 years ago, to an audience full of warm recognition and cheers. When they strolled on stage and took their seats with instruments in hand, the audience witnessed the homecoming of a family reunited once again.<\/span><\/p>\n

This night was not just a typical concert but the 25th anniversary tour of their unparalleled 1999 album, \u201c69 Love Songs.\u201d This three-volume concept album, consisting of almost three hours of songs, was performed in its entirety for two nights. The concert was explicitly for this album, and as band leader Stephin Merritt amusingly put it, \u201cthose who request otherwise will endure obscenities.\u201d<\/span><\/p>\n

Known for their experimental indie rock mixed with electronic and acoustic sounds, Merritt\u2019s baritone voice, resonating across the room, truly rounds off the iconic sound of the Magnetic Fields. While Merritt sang the majority of songs, there were also vocal appearances by members Claudia Gonson for \u201cWashington DC\u201d and \u201cYeah! Oh, Yeah!\u201d as well as Shirley Simms singing and occasionally strumming the ukulele in \u201cKiss Me Like You Mean It\u201d and \u201cI\u2019m Sorry I Love You,\u201d giving them a bit more of a folk touch.\u00a0<\/span><\/p>\n

The band immediately elicited a trance with their opening song, \u201cWorld Love,\u201d through their fusion of ukulele, guitar, and shakers and the psychedelic lighting patterns slowly metamorphosed on the stage curtains. All band members were perched on their stools, their demeanor relaxed, and soft smiles resting on all their faces.\u00a0<\/span><\/p>\n

This was my first time seeing the Magnetic Fields in concert, but they were seasoned performers who knew the audience they were presenting to. This band had the most relaxed, unbothered moods, which is bound to come out having performed these songs for 25 years. Hardly any talking took place on stage except for a few jokes, one-liners, and casual conversation between band members.\u00a0<\/span><\/p>\n

On Monday night, The Magnetic Fields demonstrated their varied discography. My personal favorites were their more sentimental songs that discuss love in a more direct form, such as \u201cPapa Was a Rodeo\u201d and \u201cEpitaph for My Heart,\u201d which are slower, soothing tracks with rich guitar notes sustaining them.<\/span><\/p>\n

However, for those who prefer more experimental, comedic love songs, there are still plenty of options to have a good chuckle over, especially with \u201cZebra\u201d and \u201cAcoustic Guitar,\u201d which dance around the idea of love in a witty, unserious manner. Of course, their classic synth-heavy tracks like \u201cI Shatter\u201d and \u201cExperimental Music Love\u201d strongly contrast the other songs in the album.<\/span><\/p>\n

This warm return of the Magnetic Fields and their \u201c69 Love Songs\u201d was a joy. Their concert allowed me to transcend the walls of Roadrunner into my cerebral hallucination of love, comedy, and electronic experimentation.\u00a0<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Photo by: Marcelo Krasilcic Review by Sophie Lentz   On Monday night, the Magnetic Fields returned to Boston, where they first formed 35 years ago, to an audience full of warm recognition and cheers. When they strolled on stage and took their seats with instruments in hand, the audience witnessed the homecoming of a family […]<\/p>\n","protected":false},"author":21826,"featured_media":41054,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1525,1523,15],"tags":[33,327,1926,1925],"_links":{"self":[{"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/posts\/41052"}],"collection":[{"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/users\/21826"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/comments?post=41052"}],"version-history":[{"count":1,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/posts\/41052\/revisions"}],"predecessor-version":[{"id":41055,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/posts\/41052\/revisions\/41055"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/media\/41054"}],"wp:attachment":[{"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/media?parent=41052"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/categories?post=41052"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/tags?post=41052"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}