{"id":39114,"date":"2023-11-02T13:07:32","date_gmt":"2023-11-02T17:07:32","guid":{"rendered":"https:\/\/sites.bu.edu\/wtbu\/?p=39114"},"modified":"2023-11-02T13:07:32","modified_gmt":"2023-11-02T17:07:32","slug":"review-gone-gone-beyond-the-sinclair-10-30","status":"publish","type":"post","link":"https:\/\/sites.bu.edu\/wtbu\/2023\/11\/02\/review-gone-gone-beyond-the-sinclair-10-30\/","title":{"rendered":"REVIEW: GONE GONE BEYOND @ THE SINCLAIR 10\/30"},"content":{"rendered":"<p>By Shandra Back<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Eyes sweep from left to right at the Sinclair on Monday. A red fedora. Muscle tee beneath a sweater. Flowing fabrics of warm tones. A blue collared shirt.\u00a0\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Distinct style marked the players of the night, from dress to vocals and movement. Each leading the crowd through an emotional journey and a spectacular expression of limbs.\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Gone Gone Beyond, a folk band of electronic and varying musical styles, arrived in Boston for the last night of their 10-show October tour. The band consists of David Block, Danny Musengo, Kat Factor, and Mel Sem\u00e9. Yet, not all four appeared on tour.\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">On October 11, six days before the first show in Atlanta, GA, Factor announced on Instagram that she would be stepping back from the tour to spend time with her new baby. Cassandra Stewart, a musician based in Nashville, TN took Factor\u2019s place on the tour, addressing herself at the Boston show as Factor\u2019s \u201cweird, queer psychedelic cousin.\u201d\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">The four figures stood in line, like soloists in a choir performance. Harmonizing <\/span><i><span style=\"font-weight: 400;\">Canyon <\/span><\/i><span style=\"font-weight: 400;\">through the mics, the performance began.\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">\u201cClose your eyes\u2026,\u201d Block vocalized. In a quick guided meditation, air collectively sucked in and expanded gratitude for live music and for loved ones far beyond the bounds of the darkened space.\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">The energies donning opposite outfits exuded enough of it to captivate an audience on their own. Musengo, Sem\u00e9, and Stewart did just that, each taking their spot on center stage throughout the show.\u00a0\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Musengo steps out for the first few sets, unbuttoning the cardigan as his body warms from the heat of motion and sound.\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">As he hits another note, his body pulls sharply down in reaction to the vocal release. It\u2019s wet and filled with notches: folk mixed with the voice of gravelly blues. He steps back and Stewart fills the absence. Her vocals were like water, soaking through Musengo\u2019s sharpened pebbles. Her clothes reflect her presence: a feminine radiation of flowing pinks and orange.\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">The night warms the space with acoustic songs like <\/span><i><span style=\"font-weight: 400;\">Canyon<\/span><\/i><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">Little Moon,<\/span><\/i><span style=\"font-weight: 400;\"> and <\/span><i><span style=\"font-weight: 400;\">Things Are Changing. <\/span><\/i><span style=\"font-weight: 400;\">It shifts again when Stewart questions the crowd if they\u2019re ready to dance. Hoots erupt. This crowd is certainly not \u2018too cool\u2019 to move. They oblige to the request for an energy increase. And thus, the cozy space promptly morphs into a rave, onstage and off. Lighting shifts from singular shades to bouncing rainbows and a previously quiet disco ball from above swirls with the groove.\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Sem\u00e9 ducks out and a few seconds later the crowd erupts in cheers when he returns, t-shirt gone, somewhere beyond the stage. His chiseled physique rolls in and out with the pulsing beat as his arms extend like a bird launching into psychedelic flight for <\/span><i><span style=\"font-weight: 400;\">Take Your Wings<\/span><\/i><span style=\"font-weight: 400;\">.\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">The crowd, filling the space comfortably, swayed with the guitar melodies, creating couple bubbles and macking in pairs all over the floor. Now, nearing the end of the night, arms circle in the air, and bodies bob as the groove travels deeper, Sem\u00e9 leading the bunch from his raised view.\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">In a predictable, yet crowd-pleasing, encore, the band faded out the night with the song that no Gone Gone Beyond concert could run without. When <\/span><i><span style=\"font-weight: 400;\">Coast<\/span><\/i><span style=\"font-weight: 400;\"> came on, there was a collective knowing that this was it. Yet for the band, this was <\/span><i><span style=\"font-weight: 400;\">really<\/span><\/i><span style=\"font-weight: 400;\"> it.\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">There was no need for a gratitude meditation at the finish. As the music dimmed and the lights brightened, the four bowed, basking in the love as they sent it back out and brought the October tour to a close.\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>By Shandra Back &nbsp; Eyes sweep from left to right at the Sinclair on Monday. A red fedora. Muscle tee beneath a sweater. Flowing fabrics of warm tones. A blue collared shirt.\u00a0\u00a0 &nbsp; Distinct style marked the players of the night, from dress to vocals and movement. Each leading the crowd through an emotional journey [&hellip;]<\/p>\n","protected":false},"author":22960,"featured_media":39115,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1525,1523,15],"tags":[],"_links":{"self":[{"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/posts\/39114"}],"collection":[{"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/users\/22960"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/comments?post=39114"}],"version-history":[{"count":1,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/posts\/39114\/revisions"}],"predecessor-version":[{"id":39116,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/posts\/39114\/revisions\/39116"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/media\/39115"}],"wp:attachment":[{"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/media?parent=39114"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/categories?post=39114"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/tags?post=39114"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}