{"id":3832,"date":"2019-02-21T22:03:07","date_gmt":"2019-02-22T03:03:07","guid":{"rendered":"https:\/\/sites.bu.edu\/wtbu\/?p=3832"},"modified":"2019-12-17T20:14:09","modified_gmt":"2019-12-18T01:14:09","slug":"review-j-mascis-the-sinclair-2-19","status":"publish","type":"post","link":"https:\/\/sites.bu.edu\/wtbu\/2019\/02\/21\/review-j-mascis-the-sinclair-2-19\/","title":{"rendered":"REVIEW: J Mascis @ The Sinclair 2\/19"},"content":{"rendered":"<p><em>By Jack Beck<\/em><\/p>\n<ol>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">Pizza (at its most basic, ideal, platonic level) consists of three components: tomato sauce, cheese, and bread. While there are other variations of pizza, an assortment of toppings and seasonings and different combinations which may not even include the three listed, the idea of a \u2018pizza\u2019 can be represented most directly by the combination of tomato sauce, cheese, and bread.<\/span><\/li>\n<\/ol>\n<p>2. Pizza is greater than the sum of its parts.<\/p>\n<p><span style=\"font-weight: 400;\">Following this:<\/span><\/p>\n<ol>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">Dinosaur Jr. (at its most basic, ideal, platonic level) consists of three components: drummer Murph, bassist Lou Barlow, and guitarist J Mascis. While there are other variations of Dinosaur Jr, an assortment of lineup changes and new members and different combinations which may not even include the three listed, the idea of a \u2018Dinosaur Jr.\u2019 can be represented most directly by the combination of Murph, Lou Barlow, and Jay Mascis.<\/span><\/li>\n<\/ol>\n<p><span style=\"font-weight: 400;\">The question, then: <\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u00a0 \u00a0 \u00a0 \u00a0 2. Is Dinosaur Jr. greater than the sum of its parts? <\/span><\/p>\n<p><span style=\"font-weight: 400;\">The answer comes to us in the shadowy chamber of Cambridge\u2019s beloved Sinclair, where this past Tuesday sentient loaf of bread J Mascis finally gave a long-overdue performance originally scheduled for last December. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">First, his setup: there are multiple guitars on his right which he will swap through at various intervals throughout the night, then a single massive and imposing amp towering behind him, an empty mic on his left (to be occupied briefly by <\/span><span style=\"font-weight: 400;\">Zo\u00eb Randell of Luluc, the opening act, for a relatively gorgeous rendition of \u201cI Went Dusk\u201d from 2018\u2019s <\/span><i><span style=\"font-weight: 400;\">Elastic Days<\/span><\/i><span style=\"font-weight: 400;\">), and a scattered collection of pedals at his feet, unseen by the audience.<\/span><span style=\"font-weight: 400;\"> Jay himself, alone, stands center-stage.<\/span><span style=\"font-weight: 400;\"> He speaks rarely, at most giving a basic, stilted \u201cThanks for coming out tonight\u201d or \u201cNext up is gonna be an old one,\u201d and on his face there\u2019s a look somewhere between vague confusion and legitimate irritation.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">You see, J has a pattern for this sort of thing and he follows it like clockwork, every single song unquestionably adhering to this 5-part structure\/palindrome (TASAT):<\/span><\/p>\n<ol>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">Tuning: J tunes his guitar<\/span><\/li>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">Actual song, part 1: J plays the first verse and the chorus of a song. <\/span><\/li>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">Solo: J has a guitar solo, lasting somewhere between 15 seconds and 20 minutes in length<\/span><\/li>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">Actual song, part 2: J plays the second verse and the chorus of a song. <\/span><\/li>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">The end: The song ends.<\/span><\/li>\n<\/ol>\n<p><span style=\"font-weight: 400;\">It is simple, it is unquestionably lazy, and in the hands of a lesser or greater man it would be an absolute slog. But in the hands of J Mascis, the performance just becomes this weird jumbled mess of contradiction, thrillingly lazy and devoutly careless. You\u2019ve got a man who clearly shouldn\u2019t be within 50 feet of a microphone belting these angst-filled songs with so little passion and so much soul, looking like he\u2019s playing an unplugged guitar in his garage at 2pm on a Sunday but then soloing like he\u2019s in front of a stadium of 20,000. He doesn\u2019t care enough to rework these songs, to try and find the secret beauty hiding in some fanciful stripped back arrangement. No, no J just plays these songs exactly like he did when he first made them, some 20 years ago and some 6 months, never even slightly considers the fact that people might notice that the drummer and bassist didn\u2019t show up this time. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">What it essentially comes down to is this: if you walked out of the Sinclair Tuesday night thinking you had just seen one of the laziest, most boring waste-of-time shows of your life, I don\u2019t think I could convince you otherwise. Fact is, Jay does not care about the pizza. And honestly, there is a very good chance that the pizza would taste better than the can of tomato sauce we stumbled our way into. But, in the end, we\u2019re not here for ourselves, or a pizza. We\u2019re here for J Mascis. And, even though he hardly looked up the whole night and never once came close to cracking a smile, I like to think deep-down J was there for J Mascis too. <\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>By Jack Beck Pizza (at its most basic, ideal, platonic level) consists of three components: tomato sauce, cheese, and bread. While there are other variations of pizza, an assortment of toppings and seasonings and different combinations which may not even include the three listed, the idea of a \u2018pizza\u2019 can be represented most directly by [&hellip;]<\/p>\n","protected":false},"author":15726,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1525],"tags":[688,687,126],"_links":{"self":[{"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/posts\/3832"}],"collection":[{"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/users\/15726"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/comments?post=3832"}],"version-history":[{"count":1,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/posts\/3832\/revisions"}],"predecessor-version":[{"id":3835,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/posts\/3832\/revisions\/3835"}],"wp:attachment":[{"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/media?parent=3832"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/categories?post=3832"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/tags?post=3832"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}