{"id":34888,"date":"2022-11-20T17:38:41","date_gmt":"2022-11-20T22:38:41","guid":{"rendered":"https:\/\/sites.bu.edu\/wtbu\/?p=34888"},"modified":"2022-11-20T17:38:41","modified_gmt":"2022-11-20T22:38:41","slug":"interview-pinkshift","status":"publish","type":"post","link":"https:\/\/sites.bu.edu\/wtbu\/2022\/11\/20\/interview-pinkshift\/","title":{"rendered":"INTERVIEW: PINKSHIFT"},"content":{"rendered":"<p>By Gwyneth Moe <em>(Photo Credit: Leigh Ann Rodgers)<\/em><\/p>\n<p>Maryland-based punk band Pinkshift is comprised of vocalist <span style=\"font-weight: 400;\">Ashrita Kumar (they\/them),<\/span> guitarist <span style=\"font-weight: 400;\">Paul Vallejo (he\/him) and drummer Myron Houngbedji (he\/him). This interview was conducted with Ashrita Kumar and Myron Houngbedji prior to their show at Brighton Music Hall in Boston on November 18th.<\/span><\/p>\n<p><strong>GM (Gwyneth Moe): You guys are wrapping up your first ever headline tour. How do you guys feel?<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">AK (Ashrita Kumar): Honestly, I&#8217;m very happy that we&#8217;ve made it this far. It\u2019s been really great, I don\u2019t know we&#8217;ve processed that it\u2019s basically almost over. New York, Boston and Philly were the last few dates on this tour and they&#8217;re gonna be, or were, we played NY last night, like the coolest shows on this tour. So we&#8217;re just really excited for what\u2019s up next, even though, I guess you&#8217;re right, the tour is almost over.\u00a0<\/span><\/p>\n<p><strong>GM: You guys had a sold out show in Brooklyn last night right?<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">AK: Yeah yeah it was crazy. We didn\u2019t expect that. It was also, we\u2019re on tour with Jigsaw and we know it\u2019s their hometown so it was really fun for all of us I think.<\/span><\/p>\n<p><strong>GM: Yeah, that&#8217;s so cool. What have been some highlights from the tour so far?<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">AK: Well, everytime we roll up to a show we never expect there to be as many people as there actually are, so that&#8217;s always been really cool. It\u2019s just always amazing seeing new people that we&#8217;ve never met before who are really into the band and it&#8217;s kind of just like growing the Pinkshift family. Hmm some more highlights? We got to see the redwoods. That was really cool. We\u2019ve been wanting to see the redwoods ever since we started touring last year. We finally made it happen. We were like, this is our tour we&#8217;re gonna make room for it. So we did, and it was really nice.\u00a0<\/span><\/p>\n<p><strong>GM: You guys had a really unique path to music. How did it feel to do that complete 180? What do you think of High School you would say to the exciting life you guys are leading right now?<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">AK: I don\u2019t think high school me would believe it. I feel like everyone is always like \u201coh my god high school me would be screaming\u201d but I feel like high school me would straight up not believe it. Like i\u2019d be \u201cyeah, sure whatever okay\u201d. I think that goes for all of us, all three of us. In high school I was really really worried about getting into college so\u2026 And I didn\u2019t even play guitar. If you would&#8217;ve told me I\u2019d be a touring musician in a rock band I would&#8217;ve been like \u201cyeah whatever\u201d.\u00a0<\/span><\/p>\n<p><strong>GM: You started playing guitar for your EP Saccharine right? A lot of people start playing instruments when they\u2019re really young so what was it like picking it up later?\u00a0<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">AK: I mean I&#8217;m honestly still learning how to play guitar. This tour has been the first time I\u2019ve ever played guitar on stage. Which is super nerve-wracking going into because I was just like, I can\u2019t sing and do this at the same time. I&#8217;m like What? But it\u2019s been really cool. I started playing guitar around the time that Saccharine was released. I was able to contribute guitar ideas on the album and stuff too so like it felt right to play some of those chord progressions that I started off with. It\u2019s nice it feels like I\u2019m a part of the band in a way that I want to be. Learning guitar later in life, that makes me sound old, I feel like you can pick up anything whenever you want.\u00a0 But you do just have to be like, all right I\u2019m gonna suck at this and that has to be okay. And I feel like that\u2019s harder to accept when you&#8217;re in your twenties. You don\u2019t want to be bad at anything y\u2019know. But you just gotta suck it up and get good at it. Which I\u2019m still working on.\u00a0<\/span><\/p>\n<p><strong>GM: You guys have a lot of high energy angry songs. What are some of your favorite songs to listen to when angry?<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">AK: I really got into the AD Angel Dust album in the past year.\u00a0<\/span><\/p>\n<p><strong>GM: Your song Nothing (In my head) used to be called something different right? It used to be called Crapple. How did the name evolve into what it is now?\u00a0<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">AK: So we were going around when we were on tour with both Mannequin Pussy and PUP we&#8217;d just play the song and we\u2019d be like, ok everybody what do you think? So we got a lot of input from people on tour. And then I think we just came up to being like honestly I feel like the song is just, there\u2019s too many suggestions. It was almost overwhelming. There was nothing good we could think of so we\u2019re just like let\u2019s just call it \u201cNothing\u201d.<\/span><\/p>\n<p><strong>GM: I love that. Your music video for the song explores social media and how it just kinda messes with you. And I think that that\u2019s [Nothing (in my head)]\u00a0 such a great title for the track connecting to that.\u00a0<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">AK: Thank you, It was really fun doing the music video. We worked with Danny Suadne <\/span><span style=\"font-weight: 400;\">and he really helped bring that idea to life. Y&#8217;know what was in the song. Honestly, I didn\u2019t even know how to visualize that, so that was really cool. We just had a lot of fun. We were just like in a warehouse, and we had a projector, and were in some straight-jackets.\u00a0<\/span><\/p>\n<p><strong>GM: Yeah, that\u2019s awesome. So for Saccharine and Love Me Forever the recording processes were really different. How was that?<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">AK: The recording process was very very different. Love Me Forever was the first time that we actually got to be in an actual studio. We worked with Will Yip in Philadelphia. That was honestly incredible, mind blowing, like a thousand out of ten would do it again. We probably will do it again. Recording Saccharine was also cool, but we were on such a low budget we were just kinda recording out of our practice room. We were just working with what we got, so for this one we were really able to put all of our voices in it. It was really cool to just be able to experiment a little bit more, like Paul experimented more with tone and Myron also experimented with technique and stuff. We all benefited from being in that space. It was really nice in that way.\u00a0<\/span><\/p>\n<p><strong>GM: Sadly one of your openers [Yasmin Nur] had to leave at the beginning of the tour. You guys have been getting alot of local bands to open up your shows, what has that process been like?<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">AK: Well at first it was kind of stressful because we were like, oh my god we have to find somebody for tomorrow, but honestly it&#8217;s been really cool to see local bands in every area that we\u2019ve been hitting. We\u2019ve never done a headlining tour before so to be able to really appreciate the bands that are popular there or play there and how they interact with people really allows us to put our set into context too. It\u2019s really nice to just hang out and meet cool bands that seem really cool online but you can never actually see live cause they&#8217;re so far away. So it&#8217;s been nice.<\/span><\/p>\n<p><strong>GM: That&#8217;s awesome. All right I\u2019ll round this out with a fun question. Hopefully you think it\u2019s a fun question. If you could have an unlimited budget for a music video, which song would you choose and what would happen in it?<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">AK: Wait okay, I feel like I have to hand the phone back to Myron right now.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">MH (Myron Houngbedji): I was gonna say \u201cBurn The Witch\u201d.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">AK: I feel like\u00a0 \u201cBurn The Witch\u201d is cool cause it\u2019s the only narrative song we have.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">MH: Yeah we wanted to have some kind of story line going along in the music video for that and I think we can actually get cool pyro shots for that. If we had a big budget.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">AK: Oh yeah.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">MH: Like really cool, like crowd shots. Cause y\u2019know with a limited budget it\u2019s hard getting people out in general. But if we were able to get a bunch of people\u2026\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">AK: Like full production.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">MH: Yeah, full production, and have everything planned way in advance and have a significant crowd to play different roles for if we wanted to actually like burn someone at the stake. That would be sick.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">AK: I don\u2019t know if \u2013<\/span><\/p>\n<p><span style=\"font-weight: 400;\">MH: Like not actually, not actually, no no no no. I mean like not like actually but like y&#8217;know having a budget for special effects and stuff, having someone who&#8217;s really good at editing stuff. I think that would be really sick. If we just had unlimited money for that we could just put all the songs and just play the album through and have one long music video for the whole album.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">AK: Yeah, pull a Lemonade.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">MH: Yeah cause editing wouldn\u2019t be a\u2014<\/span><\/p>\n<p><span style=\"font-weight: 400;\">AK: We\u2019ll be in our Lemonade era.<\/span><\/p>\n<p><strong>GM: Burn The Witch is such a good choice, such a good song. I can totally see the chaos unfolding in that hypothetical music video.\u00a0<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">AK: It would go crazy, I think.\u00a0<\/span><\/p>\n<p><strong>GM: All right, well thank you guys for letting me interview you! I hope you have a great show tonight.\u00a0<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>By Gwyneth Moe (Photo Credit: Leigh Ann Rodgers) Maryland-based punk band Pinkshift is comprised of vocalist Ashrita Kumar (they\/them), guitarist Paul Vallejo (he\/him) and drummer Myron Houngbedji (he\/him). This interview was conducted with Ashrita Kumar and Myron Houngbedji prior to their show at Brighton Music Hall in Boston on November 18th. GM (Gwyneth Moe): You [&hellip;]<\/p>\n","protected":false},"author":20669,"featured_media":34889,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[16,1523],"tags":[],"_links":{"self":[{"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/posts\/34888"}],"collection":[{"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/users\/20669"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/comments?post=34888"}],"version-history":[{"count":1,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/posts\/34888\/revisions"}],"predecessor-version":[{"id":34890,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/posts\/34888\/revisions\/34890"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/media\/34889"}],"wp:attachment":[{"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/media?parent=34888"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/categories?post=34888"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/tags?post=34888"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}