{"id":3287,"date":"2018-11-27T09:51:54","date_gmt":"2018-11-27T14:51:54","guid":{"rendered":"https:\/\/sites.bu.edu\/wtbu\/?p=3287"},"modified":"2019-12-17T19:57:56","modified_gmt":"2019-12-18T00:57:56","slug":"album-review-hozier-nina-cried-power","status":"publish","type":"post","link":"https:\/\/sites.bu.edu\/wtbu\/2018\/11\/27\/album-review-hozier-nina-cried-power\/","title":{"rendered":"ALBUM REVIEW: Hozier &#8211; Nina Cried Power"},"content":{"rendered":"<p><img loading=\"lazy\" src=\"\/wtbu\/files\/2018\/11\/Hozier.jpg\" alt=\"\" width=\"600\" height=\"600\" class=\"alignnone size-full wp-image-3288\" srcset=\"https:\/\/sites.bu.edu\/wtbu\/files\/2018\/11\/Hozier.jpg 600w, https:\/\/sites.bu.edu\/wtbu\/files\/2018\/11\/Hozier-150x150.jpg 150w, https:\/\/sites.bu.edu\/wtbu\/files\/2018\/11\/Hozier-100x100.jpg 100w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/p>\n<p><i><span style=\"font-weight: 400;\">By Camille Fowler<\/span><\/i><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">After four years of hiatus since the release of Hozier\u2019s first album and his hit song \u201cTake Me to Church,\u201d fans were graced with a new EP. The collection, titled <\/span><i><span style=\"font-weight: 400;\">Nina Cried Power<\/span><\/i><span style=\"font-weight: 400;\">, was released Sep. 8, and fully embodies the implications of the name. It is a musical homage to revolution, and is evidently inspired by radicalism without sacrificing Hozier\u2019s characteristic concoction of light and darkness.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The opening song and the EP\u2019s namesake, \u201cNina Cried Power,\u201d is a mighty ballad about overcoming and rising up. It is driven by a dynamic drum sequence sustained throughout the number. It\u2019s eventually accompanied by gospel echoes, which support the vocals of Hozier and soul legend Mavis Staples. The song is emotional and a tribute to resistance, referring to revolutionary musicians Nina Simone, James Brown, John Lennon, and B.B. King. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cNFWMB,\u201d the second track, offers a drastic contrast to the first song on the EP. It is evocative of the sound Hozier is known for. The slow, lilting picking on the guitar repeats itself as Hozier sings in a high, soft pitch. Like many Hozier songs, \u201cNFWMB\u201d elicits feelings of darkness and love. Unsurprisingly, it is riddled with Biblical allusions and apocalyptic <\/span><span style=\"font-weight: 400;\">references. He sings, <\/span><i><span style=\"font-weight: 400;\">\u201cAin&#8217;t it warming you \/ The world gone up in flames \/ Ain&#8217;t it the life you \/ <\/span><\/i><i><span style=\"font-weight: 400;\">Your lighting of the blaze.\u201d<\/span><\/i><span style=\"font-weight: 400;\"> Although the tone has changed, the lyrics still embody the same message of revolution as \u201cNina Cried Power.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The third track, \u201cMoment\u2019s Silence (Common Tongue),\u201d departs to a faster beat, the drum sequence driven by the metronome of finger snaps that persist throughout the song. Eventually, the electric guitar and Hozier\u2019s powerful vocals take over the rhythm for the chorus. The lyrics, predictably dark and mysterious, sing of God, sex, and immorality. He refers to a reckoning, and the authority of power\u2019s creed, which again serves as a continuation of the overall theme.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Most Hozier fans would categorize \u201cShrike,\u201d the final song, as the track most reminiscent of the spirit Hozier is known for. A simple, melodic guitar picking sequence is overpowered by loud, emotional vocals. He sings of love and feeling silenced, of not being able to speak when he needed to. The lyrics alternate between dark and uplifting imagery, evoking feelings of nostalgia and melancholy, which make it the perfect track to come down from the previous rhythm and complete the EP.<\/span><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>By Camille Fowler &nbsp; After four years of hiatus since the release of Hozier\u2019s first album and his hit song \u201cTake Me to Church,\u201d fans were graced with a new EP. The collection, titled Nina Cried Power, was released Sep. 8, and fully embodies the implications of the name. It is a musical homage to [&hellip;]<\/p>\n","protected":false},"author":13221,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1524],"tags":[157,26,522,614,31,25],"_links":{"self":[{"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/posts\/3287"}],"collection":[{"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/users\/13221"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/comments?post=3287"}],"version-history":[{"count":1,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/posts\/3287\/revisions"}],"predecessor-version":[{"id":3289,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/posts\/3287\/revisions\/3289"}],"wp:attachment":[{"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/media?parent=3287"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/categories?post=3287"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/tags?post=3287"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}