{"id":32861,"date":"2022-09-20T11:22:35","date_gmt":"2022-09-20T15:22:35","guid":{"rendered":"https:\/\/sites.bu.edu\/wtbu\/?p=32861"},"modified":"2022-09-20T11:22:35","modified_gmt":"2022-09-20T15:22:35","slug":"review-shame-the-sinclair-9-7","status":"publish","type":"post","link":"https:\/\/sites.bu.edu\/wtbu\/2022\/09\/20\/review-shame-the-sinclair-9-7\/","title":{"rendered":"REVIEW: SHAME @ THE SINCLAIR 9\/7"},"content":{"rendered":"<p>Review by Josephine Best<\/p>\n<p>Header image by Holly Whitaker<\/p>\n<p><i><span style=\"font-weight: 400;\">\u201cNorth America, this is rare footage of what a Shame show actually looks like. Don\u2019t be fooled by the smoke and mirrors if you\u2019ve been to one our gigs and \u2018seen\u2019 other people there, this is simply an illusion.<\/span><\/i><\/p>\n<p><i><span style=\"font-weight: 400;\">There\u2019s only ever two people in the crowd, one throwing up the devils handshake as the other sips from a half drank bottle of Pastis.\u201d<\/span><\/i><\/p>\n<p><span style=\"font-weight: 400;\">Shame described their North American gigs in an Instagram post with this caption. While their character shined through their witticism and humbleness, their description luckily turned out to be untrue.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">At the Sinclair in Cambridge on September 7th, there were, in fact, more than two people in the crowd, and I did, in fact, \u2018see\u2019 other people. And I am quite sure that I wasn\u2019t subject to an illusion because its hard to mistake a mosh pit for an empty room.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Shame wandered onto the stage with frontman Charlie Steen paying tribute to the crowd, clad in a \u201cCheers\u201d shirt with Boston written across the bottom. Immediately they went into playing \u201cAlibis (One Cools Jazz) from their upcoming album. Since the song was unreleased, the energy in the crowd was still uneasy until Sheen addressed the congregation, expressing his excitement for being back in Boston. With a wide grin, he announced that their last visit was in 2019, and \u201cthere were maybe ten people.\u201d The pride in filling the room was evident in all band members&#8217; faces.\u00a0\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">While bassist Josh Finerty struggled to swap instruments for the next song, Steen continued to rile up the crowd by assuring everyone that should there be issues, \u201cwe\u2019re gonna keep on playing.\u201d As he ended his speech, which he spoke in a slow, deep, gravelly voice, the single pluck of the guitar chord announced the beginning of \u201cAlphabet,\u201d one of their popular songs. Steen\u2019s coarse voice roars, \u201care you waiting to feel good\u201d and the congregation responds by throwing themselves into a mosh.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">As the song slowed, the moshing calmed down, and the stench of spilled beer and BO rose through the crowd, creating a hot air that stuck to your skin. As he caught his breath, Steen proclaimed that Shame was working on their third album, just a year after their sophomore album \u201cDrunk Tank Pink,\u201d and would Boston like to be the first to hear it? A screech ran through the crowd, and after smirks took over the band\u2019s faces, \u201cFingers of Steel\u201d began to play.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The audience didn\u2019t react to the sound alone. Steen was one with the congregation, standing on a four-foot-tall stage with no barricade. From time to time, he would crouch down, becoming level with some of the faces in the crowd. When \u201cThe Lick\u201d began to play, he motioned to the masses to come together. Then he stepped off the stage and onto the outstretched hands of the mob, gaining his balance while sitting like a frog; he sang right up until the climax. He whispered alongside the pack, \u201cI don\u2019t want to be heard if you\u2019re the only one listening,\u201d then, shooting into an upright position, he screamed \u201cBOSTON\u201d before throwing himself into eager hands. Then the beat drops, and as one, the venue howls, \u201cBATHE ME IN BLOOD AND CALL IT A CHRISTENING!\u201d Steen floats on jumping hands back towards the stage with his legs in the air.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">This action unified the crowd in both emotion and temperature. Not a single dry shirt existed in the crowd, whether through your own sweat or somebody else&#8217;s. Steen was no exception, and he removed his \u201cCheers\u201d shirt before continuing into the next song.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">This next bit was my favorite of the entire evening, as it involved me the most. \u201cSix-pack\u201d began to play. Whether he took his shirt off in correlation with this song, I don\u2019t know, but that&#8217;s beside the point. The song started slow and employed his dark, slow and guttural voice. He crouched down, moving his head along to the music. Now somewhat level with him, I took off my sunglasses and held the specs up. He took them and fitted the glasses to his head, continuing his slow speech. In the style of putting on a show, he continued his oration, now directed at me. His hand pointed in my face until he stood up, increasing his volume and addressing the crowd, \u201cYOU\u2019RE JUST A CREATURE OF BAD HABIT! YOU\u2019VE GOT NOTHING AND NO ONE TO LIVE FOR!\u201d Then reaching the head of the song, he put the microphone into his pocket and began to rapidly hip thrust while Finerty sprinted back and forth across the stage, bass in hand.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The energy that radiated from the stage began to infect the congregation. A crowd member, who Steen had previously admired for having such beautiful locks, somehow ran through the tightly packed floor and jumped onto the stage. He used the platform&#8217;s edge to propel himself into the crowd, flying freely for a split second before crashing down on an unsuspecting mosh pit. All I saw in the three seconds it occurred was a flash of black hair, then tennis shoes perching themselves inches from my face. The event, at first, caused concern for the band because all they saw was a shadow sprint towards them. They then erupted into laughter after seeing the outcome of the action.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The set reached the end, and finally, they announced they would be playing their most famous song, \u201cOne Rizla.\u201d Steen proclaimed that it had been three years since they had performed it, and they had tweaked it to perfection. Then you hear the four slaps of Charlie Forbes on drums, followed by Eddie Green\u2019s faced-paced solo, and finally, \u201cMY NAILS AIN\u2019T MANICURED!\u201d Steen again lowered himself on the stage: hands outstretched to the crowd belting, \u201cAND YOU CAN CHOOSE TO HATE MY WORDS \/ BUT DO I GIVE A FUCK!\u201d\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">At the end of the song, while Green finished it out, Steen stood atop the speakers at the edge of the stage, towering over the crowd. He held the mic stand above his head like a conqueror at the end of a battle, dripping in sweat and ecstasy, having triumphed over the crowd that night at the Sinclair. <\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Review by Josephine Best Header image by Holly Whitaker \u201cNorth America, this is rare footage of what a Shame show actually looks like. Don\u2019t be fooled by the smoke and mirrors if you\u2019ve been to one our gigs and \u2018seen\u2019 other people there, this is simply an illusion. There\u2019s only ever two people in the [&hellip;]<\/p>\n","protected":false},"author":20669,"featured_media":32862,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1525,1523,15],"tags":[],"_links":{"self":[{"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/posts\/32861"}],"collection":[{"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/users\/20669"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/comments?post=32861"}],"version-history":[{"count":1,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/posts\/32861\/revisions"}],"predecessor-version":[{"id":32863,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/posts\/32861\/revisions\/32863"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/media\/32862"}],"wp:attachment":[{"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/media?parent=32861"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/categories?post=32861"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/tags?post=32861"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}