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By Ali Audet<\/em><\/p>\n Saves the Day is embarking on a cross-country tour, hot on the heels of the release of their latest album, <\/span>9<\/span><\/i>. The album is a reflection on where Saves the Day has been, as well as the progress lead singer and songwriter Chris Conley has made since the release of their first record. In this regard, <\/span>9<\/span><\/i> is an album that references back to older material while still bringing a fresh take on Saves the Day. Conley even remarked to Billboard that it\u2019s \u201creally enjoyable\u201d to be able to bring older motifs and lyrics back to new music. Bringing this music to the live stage, then, harkens back to the energy of classic Saves the Day without losing their modern edge.<\/span><\/p>\n It was clear that the centerpiece of the night was <\/span>9<\/span><\/i>. The stage backdrop was a full-sized banner of the album cover, and five songs from the setlist were from <\/span>9<\/span><\/i>, more than any other album featured. However, there wasn\u2019t a complete departure from previous material. The band opened with \u201cAt Your Funeral,\u201d the lead single from their 2001 album <\/span>Stay What You Are<\/span><\/i>. Starting out with an older song rather than one from <\/span>9<\/span><\/i> really set the tone for the night. Not only was it a celebration of the release of a new album, but a celebration of where Saves the Day has come from. Considering that <\/span>Stay What You Are <\/span><\/i>is their highest selling album to date, it makes sense to start with a song from the album. <\/span><\/p>\n However, there wasn\u2019t a lack of <\/span>9<\/span><\/i> songs in the setlist. \u201cSuzuki,\u201d \u201cKerouac and Cassady,\u201d and \u201cRos\u00e9\u201d all made it into the first half of the setlist. The first half of the set also included selections from their 2013 album <\/span>Saves The Day<\/span><\/i> like \u201cXenophobic Blind Left Hook,\u201d <\/span>Daybreak<\/span><\/i>\u2019s \u201c1984,\u201d and <\/span>Sound The Alarm<\/span><\/i>\u2019s \u201cEulogy\u201d and \u201cThe End.\u201d Although recognizable, many of these songs fell a bit flat. They didn\u2019t pack the punch like the songs from <\/span>9<\/span><\/i> or <\/span>Stay What You Are <\/span><\/i>had. Instead, they blended together without any feeling of distinction. It didn\u2019t help that there was hardly any banter or even speaking from the band members onstage. Although this meant more music could be played overall, there were moments when I hoped for a break, even a brief one. <\/span><\/p>\n This isn\u2019t to say the set was bad. Even songs that didn\u2019t hit their mark were engaging to a degree. But, there were songs that absolutely lit up the room. \u201cShoulder to the Wheel,\u201d the first song of the night to be featured from their second album <\/span>Through Being Cool<\/span><\/i>, was an instant hit. While this may be a product of the song\u2019s popularity among fans, I would also chalk it up to the fact that the band put so much energy into it. The same can be said for \u201cAnywhere With You\u201d from 2003\u2019s <\/span>In Reverie<\/span><\/i>. There was a heart and soul missing from some of the songs that was indisputably found in these songs. It was the energy of a band playing new songs for the first time, translated to some of their oldest material. <\/span><\/p>\n This same sentiment carried through the second half of the show. Songs like \u201cFreakish,\u201d \u201cHolly Hox, Forget Me Nots,\u201d and \u201cIt\u2019s Such a Beautiful World\u201d, from <\/span>Stay What You Are<\/span><\/i>, <\/span>Through Being Cool<\/span><\/i>, and <\/span>9<\/span><\/i> respectively, showed the true passion and power of Saves the Day. Other songs from the set seemed to lean on these selections, but they held their own well enough to be interesting and enjoyable.<\/span><\/p>\n The encore was truly the cherry on top of the night. Featuring songs from both the oldest and youngest of the band\u2019s albums, it showcased the unforgettable lyrics and riffs that make Saves the Day special, while also showing their growth over the last two decades. It began with Conley coming out alone to sing \u201cThree Miles Down,\u201d the ultimate singalong for fans. This created a striking contrast to the rest of the set: Where the earlier set relied heavily on guitar and bass riffs and crashing drums, the stripped down rendition of \u201cThree Miles Down\u201d allowed the song to shine in its own right. It was the only song of the night from the band\u2019s 1998 debut album <\/span>Can\u2019t Slow Down<\/span><\/i>. This was followed by <\/span>Saves the Day<\/span><\/i>\u2019s \u201cRing Pop\u201d and <\/span>9<\/span><\/i>\u2019s \u201cSide By Side\u201d. But, like any good band, they saved the best for last. The final song of the night was \u201cRocks Tonic Juice Magic,\u201d a fan favorite from <\/span>Through Being Cool<\/span><\/i>. There were no added frills or special changes the make the song last or give it an extra moment before the show ended. Instead, it was done justice by being performed as it appears on the record, giving both lifelong fans and newcomers the opportunity to experience the raw feelings of \u201cRocks Tonic Juice Magic\u201d. Angry, bitter, and lyrically cutting, it was a grand ending to a night that celebrated all that Saves the Day has to offer.<\/span><\/p>\n <\/p>\n","protected":false},"excerpt":{"rendered":" By Ali Audet Saves the Day is embarking on a cross-country tour, hot on the heels of the release of their latest album, 9. The album is a reflection on where Saves the Day has been, as well as the progress lead singer and songwriter Chris Conley has made since the release of their first […]<\/p>\n","protected":false},"author":13221,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[15],"tags":[33,26,97,327,117,31,603,25],"_links":{"self":[{"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/posts\/3240"}],"collection":[{"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/users\/13221"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/comments?post=3240"}],"version-history":[{"count":1,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/posts\/3240\/revisions"}],"predecessor-version":[{"id":3242,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/posts\/3240\/revisions\/3242"}],"wp:attachment":[{"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/media?parent=3240"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/categories?post=3240"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/tags?post=3240"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}