{"id":3186,"date":"2018-11-08T16:01:04","date_gmt":"2018-11-08T21:01:04","guid":{"rendered":"https:\/\/sites.bu.edu\/wtbu\/?p=3186"},"modified":"2019-12-17T20:18:36","modified_gmt":"2019-12-18T01:18:36","slug":"review-ian-sweet-young-jesus-sean-henry-great-scott-11-03","status":"publish","type":"post","link":"https:\/\/sites.bu.edu\/wtbu\/2018\/11\/08\/review-ian-sweet-young-jesus-sean-henry-great-scott-11-03\/","title":{"rendered":"REVIEW: IAN SWEET, Young Jesus, Sean Henry @ Great Scott 11\/03"},"content":{"rendered":"<figure id=\"attachment3187\" aria-describedby=\"caption-attachment3187\" style=\"width: 1012px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" src=\"\/wtbu\/files\/2018\/11\/IAN-SWEET-3.jpg\" alt=\"\" width=\"1002\" height=\"751\" class=\"size-full wp-image-3187\" srcset=\"https:\/\/sites.bu.edu\/wtbu\/files\/2018\/11\/IAN-SWEET-3.jpg 1002w, https:\/\/sites.bu.edu\/wtbu\/files\/2018\/11\/IAN-SWEET-3-636x477.jpg 636w, https:\/\/sites.bu.edu\/wtbu\/files\/2018\/11\/IAN-SWEET-3-768x576.jpg 768w\" sizes=\"(max-width: 1002px) 100vw, 1002px\" \/><figcaption id=\"caption-attachment3187\" class=\"wp-caption-text\">IAN SWEET by Ioanna Karageorge<\/figcaption><\/figure>\n<p><i><span style=\"font-weight: 400;\">By Ioanna Karageorge<\/span><\/i><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">IAN SWEET returned to Boston this past Saturday to perform at Great Scott in Allston. In this dimly lit bar setting, bodies packed in close and swayed together for a cozy, three-act concert. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">The show began early at 6:30 p.m. on the dot with opening band Sean Henry. Lead singer Sean Henry Posila crooned his new album, <\/span><i><span style=\"font-weight: 400;\">Fink<\/span><\/i><span style=\"font-weight: 400;\">, into the microphone with his baby blue Fender Mustang. His voice is distinctly peculiar, delivering his lyrics in an almost whining tone\u2013like a more angsty Sparklehorse. One might think that this tone would make his music sound insincere, but his relatable lyrical content on anxiety and existentialism felt like he is communicating things that have definitely crossed my mind and those of his fans. This performance was the first night of Sean Henry\u2019s participation on the IAN SWEET <\/span><i><span style=\"font-weight: 400;\">Crush Crusher <\/span><\/i><span style=\"font-weight: 400;\">tour.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Next on was emotional indie rock band Young Jesus. Their set opened with singer John Rossiter uttering an affirmative \u201cready to rock\u201d to the crowd and then easing into instrumentation. Immediately, the band\u2019s music felt almost entrancing. Young Jesus triumphed in capturing raw energy in their music and utilizing their instruments to the fullest extent. Their songs often seemed to sound improvised as each band member attentively looked at each other to determine the next move. Influences of experimental jazz were notable in the set as the guitar and drum players created tension playing in polyrhythms and harmonics. Accompanying the melody was Rossiter shouting his lyrics in a Midwestern emo style. The combination of experimental jazz and Midwestern emo created a compelling dynamic for the listener. With Rossiter yelling his philosophical lyrics layered with jazz rhythms, the crowd couldn\u2019t help but headbang and sway.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Finally, IAN SWEET took the stage to a full house. IAN SWEET, Jillian Medford\u2019s solo project, is now on a North American tour for their new album, <\/span><i><span style=\"font-weight: 400;\">Crush Crusher.<\/span><\/i><span style=\"font-weight: 400;\"> Playing at Great Scott in Allston was a special show for Medford as she graduated from Berklee College of Music. Medford, fashionably clad in a floor length dress and crocs, prefaced to the crowd that she was \u201chappy to be back\u201d and reassured them \u201cthings might look different, but it\u2019s still us.\u201d <\/span><\/p>\n<p><span style=\"font-weight: 400;\">One of the best parts of Medford\u2019s performance was her ability to weave danceable shredding songs like \u201c#23\u201d with more inward-searching new work from <\/span><i><span style=\"font-weight: 400;\">Crush Crusher<\/span><\/i><span style=\"font-weight: 400;\">. It was exhilarating to see her own her place on stage and throw her head back while playing guitar like she was calling upon some higher power. IAN SWEET\u2019s musical content focuses on topics like self-exploration, and the intimacy of her music became magnified in this setting as she actually had her aunts and best friends in the audience that night.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Medford spoke to the crowd at one point and admitted \u201cI was feeling so sad earlier. I feel so much better now.\u201d I think that the statement was almost a metaphor for IAN SWEET\u2019s music. Utilizing pain and doubt in her songs, she takes a stance, owning her confusion and trying to work past it. This sentiment rings true on her last song of the night, \u201cHiding.\u201d In the chorus she repeats, <\/span><i><span style=\"font-weight: 400;\">\u201cI forgot myself in you,\u201d<\/span><\/i><span style=\"font-weight: 400;\">\u2013the most momentous and triumphant part in the entire song. IAN SWEET\u2019s performance was a reminder that it is okay to be vulnerable and acknowledge your mistakes, that it\u2019s a sign of growing and healing.<\/span><\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment3188\" aria-describedby=\"caption-attachment3188\" style=\"width: 1034px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" src=\"\/wtbu\/files\/2018\/11\/IAN-SWEET-1-1024x683.jpg\" alt=\"\" width=\"1024\" height=\"683\" class=\"size-large wp-image-3188\" srcset=\"https:\/\/sites.bu.edu\/wtbu\/files\/2018\/11\/IAN-SWEET-1-1024x683.jpg 1024w, https:\/\/sites.bu.edu\/wtbu\/files\/2018\/11\/IAN-SWEET-1-636x424.jpg 636w, https:\/\/sites.bu.edu\/wtbu\/files\/2018\/11\/IAN-SWEET-1-768x512.jpg 768w, https:\/\/sites.bu.edu\/wtbu\/files\/2018\/11\/IAN-SWEET-1.jpg 1126w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption id=\"caption-attachment3188\" class=\"wp-caption-text\">IAN SWEET by Ioanna Karageorge<\/figcaption><\/figure>\n<figure id=\"attachment3189\" aria-describedby=\"caption-attachment3189\" style=\"width: 1034px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" src=\"\/wtbu\/files\/2018\/11\/IAN-SWEET-2-1024x683.jpg\" alt=\"\" width=\"1024\" height=\"683\" class=\"size-large wp-image-3189\" srcset=\"https:\/\/sites.bu.edu\/wtbu\/files\/2018\/11\/IAN-SWEET-2-1024x683.jpg 1024w, https:\/\/sites.bu.edu\/wtbu\/files\/2018\/11\/IAN-SWEET-2-636x424.jpg 636w, https:\/\/sites.bu.edu\/wtbu\/files\/2018\/11\/IAN-SWEET-2-768x512.jpg 768w, https:\/\/sites.bu.edu\/wtbu\/files\/2018\/11\/IAN-SWEET-2.jpg 1126w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption id=\"caption-attachment3189\" class=\"wp-caption-text\">IAN SWEET by Ioanna Karageorge<\/figcaption><\/figure>\n<figure id=\"attachment3190\" aria-describedby=\"caption-attachment3190\" style=\"width: 511px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" src=\"\/wtbu\/files\/2018\/11\/Sean-Henry-2.jpg\" alt=\"\" width=\"501\" height=\"751\" class=\"size-full wp-image-3190\" srcset=\"https:\/\/sites.bu.edu\/wtbu\/files\/2018\/11\/Sean-Henry-2.jpg 501w, https:\/\/sites.bu.edu\/wtbu\/files\/2018\/11\/Sean-Henry-2-424x636.jpg 424w\" sizes=\"(max-width: 501px) 100vw, 501px\" \/><figcaption id=\"caption-attachment3190\" class=\"wp-caption-text\">Sean Henry by Ioanna Karageorge<\/figcaption><\/figure>\n<figure id=\"attachment3191\" aria-describedby=\"caption-attachment3191\" style=\"width: 1034px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" src=\"\/wtbu\/files\/2018\/11\/Sean-Henry-1024x683.jpg\" alt=\"\" width=\"1024\" height=\"683\" class=\"size-large wp-image-3191\" srcset=\"https:\/\/sites.bu.edu\/wtbu\/files\/2018\/11\/Sean-Henry-1024x683.jpg 1024w, https:\/\/sites.bu.edu\/wtbu\/files\/2018\/11\/Sean-Henry-636x424.jpg 636w, https:\/\/sites.bu.edu\/wtbu\/files\/2018\/11\/Sean-Henry-768x512.jpg 768w, https:\/\/sites.bu.edu\/wtbu\/files\/2018\/11\/Sean-Henry.jpg 1126w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption id=\"caption-attachment3191\" class=\"wp-caption-text\">Sean Henry by Ioanna Karageorge<\/figcaption><\/figure>\n<figure id=\"attachment3192\" aria-describedby=\"caption-attachment3192\" style=\"width: 1034px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" src=\"\/wtbu\/files\/2018\/11\/Young-Jesus-2-1024x683.jpg\" alt=\"\" width=\"1024\" height=\"683\" class=\"size-large wp-image-3192\" srcset=\"https:\/\/sites.bu.edu\/wtbu\/files\/2018\/11\/Young-Jesus-2-1024x683.jpg 1024w, https:\/\/sites.bu.edu\/wtbu\/files\/2018\/11\/Young-Jesus-2-636x424.jpg 636w, https:\/\/sites.bu.edu\/wtbu\/files\/2018\/11\/Young-Jesus-2-768x512.jpg 768w, https:\/\/sites.bu.edu\/wtbu\/files\/2018\/11\/Young-Jesus-2.jpg 1126w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption id=\"caption-attachment3192\" class=\"wp-caption-text\">Young Jesus by Ioanna Karageorge<\/figcaption><\/figure>\n<p><img loading=\"lazy\" src=\"\/wtbu\/files\/2018\/11\/Young-Jesus-1024x683.jpg\" alt=\"\" width=\"1024\" height=\"683\" class=\"alignnone size-large wp-image-3193\" srcset=\"https:\/\/sites.bu.edu\/wtbu\/files\/2018\/11\/Young-Jesus-1024x683.jpg 1024w, https:\/\/sites.bu.edu\/wtbu\/files\/2018\/11\/Young-Jesus-636x424.jpg 636w, https:\/\/sites.bu.edu\/wtbu\/files\/2018\/11\/Young-Jesus-768x512.jpg 768w, https:\/\/sites.bu.edu\/wtbu\/files\/2018\/11\/Young-Jesus.jpg 1126w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>By Ioanna Karageorge &nbsp; IAN SWEET returned to Boston this past Saturday to perform at Great Scott in Allston. In this dimly lit bar setting, bodies packed in close and swayed together for a cozy, three-act concert. The show began early at 6:30 p.m. on the dot with opening band Sean Henry. Lead singer Sean [&hellip;]<\/p>\n","protected":false},"author":13221,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1525],"tags":[33,26,97,327,110,569,31,571,25,570],"_links":{"self":[{"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/posts\/3186"}],"collection":[{"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/users\/13221"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/comments?post=3186"}],"version-history":[{"count":1,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/posts\/3186\/revisions"}],"predecessor-version":[{"id":3194,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/posts\/3186\/revisions\/3194"}],"wp:attachment":[{"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/media?parent=3186"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/categories?post=3186"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/tags?post=3186"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}