{"id":3112,"date":"2018-10-30T09:55:15","date_gmt":"2018-10-30T14:55:15","guid":{"rendered":"https:\/\/sites.bu.edu\/wtbu\/?p=3112"},"modified":"2019-12-17T20:19:14","modified_gmt":"2019-12-18T01:19:14","slug":"review-girlpool-porches-palberta-somerville-theatre-10-25","status":"publish","type":"post","link":"https:\/\/sites.bu.edu\/wtbu\/2018\/10\/30\/review-girlpool-porches-palberta-somerville-theatre-10-25\/","title":{"rendered":"REVIEW: Girlpool, Porches, Palberta @ Somerville Theatre 10\/25"},"content":{"rendered":"<p><img loading=\"lazy\" src=\"\/wtbu\/files\/2018\/10\/43509449_1740453742748385_6238623439788179456_n.jpg\" alt=\"\" width=\"960\" height=\"960\" class=\"alignnone size-full wp-image-3113\" srcset=\"https:\/\/sites.bu.edu\/wtbu\/files\/2018\/10\/43509449_1740453742748385_6238623439788179456_n.jpg 960w, https:\/\/sites.bu.edu\/wtbu\/files\/2018\/10\/43509449_1740453742748385_6238623439788179456_n-150x150.jpg 150w, https:\/\/sites.bu.edu\/wtbu\/files\/2018\/10\/43509449_1740453742748385_6238623439788179456_n-636x636.jpg 636w, https:\/\/sites.bu.edu\/wtbu\/files\/2018\/10\/43509449_1740453742748385_6238623439788179456_n-768x768.jpg 768w, https:\/\/sites.bu.edu\/wtbu\/files\/2018\/10\/43509449_1740453742748385_6238623439788179456_n-100x100.jpg 100w\" sizes=\"(max-width: 960px) 100vw, 960px\" \/><\/p>\n<p><i><span style=\"font-weight: 400;\">By Jack Beck<\/span><\/i><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">I\u2019m trying to get through all of the tragedies Shakespeare wrote before the end of the semester and right now I\u2019m on <\/span><i><span style=\"font-weight: 400;\">Titus Andronicus<\/span><\/i><span style=\"font-weight: 400;\">, one of his first plays. It\u2019s known for having by far the highest body count of any of his works, the play\u2019s traditional Shakespearean scenes in the ancient Roman court offset by graphic depictions of bloody murders, cut-off limbs, and brutal decapitations. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">And while that might seem completely unrelated to anything you\u2019d find on WTBU\u2019s website, the mix of ornate Roman glory with obscene violence actually comes pretty close to describing the experience of seeing a rock concert at the Somerville Theatre, where Palberta, Porches, and Girlpool performed Oct. 25. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">In short, Somerville Theatre is a <\/span><i><span style=\"font-weight: 400;\">really<\/span><\/i><span style=\"font-weight: 400;\"> weird venue to see a band like the opener Palberta in. If you haven\u2019t heard their stuff, the trio consists of Lily Konigsberg, Ani Ivry-Block, and Nina Ryser and their whole sound is built around these short minute long bursts of really frantic, jittery punk; think a looser Minutemen where all three members swap instruments every other song. It\u2019s the type of thing that sounds best huddled against the stage and thrashing in a mob, not sitting in Somerville\u2019s cushioned seats and attempting to follow the fidgety beat with polite head-bobs. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Still, their performance was great. Even though the live show was missing some of the wonderful weirdness of their studio material with its lack of wild tape experiments or acoustic freakouts, their on-stage presence absolutely holds the off-kilter excitement of their albums. Their choppy, shotgun approach to songwriting leads to this onslaught of feverish rhythms and feedback, and it\u2019s exactly how you\u2019d want them to sound after hearing something off an album of theirs. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Porches were up next. It\u2019s easy to forget it when listening to their newest albums like <\/span><i><span style=\"font-weight: 400;\">The House<\/span><\/i><span style=\"font-weight: 400;\"> or <\/span><i><span style=\"font-weight: 400;\">Pool<\/span><\/i><span style=\"font-weight: 400;\">, but these guys <\/span><i><span style=\"font-weight: 400;\">are<\/span><\/i><span style=\"font-weight: 400;\"> a rock band. Even though their last albums have leaned heavily on housey synths and a really personal look into frontman Aaron Maine, their live show has a pretty standard four-piece rock band set up with the addition of a synth player, the only anomaly occurring when the bassist swaps her guitar for a second synth. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">It leads to the group seeming much more electrified then on their albums, their signature subdued coolness traded in for a more white-knuckle dance-rock feel. Maine completely forgoes the introspectiveness of their records, dancing across the stage and belting out lyrics like a karaoke star. To fall back on Shakespeare, Porches on album is a reflective, meditative <\/span><i><span style=\"font-weight: 400;\">Hamlet<\/span><\/i><span style=\"font-weight: 400;\"> while the live show leans more towards a harsher, rough-edged <\/span><i><span style=\"font-weight: 400;\">Macbeth<\/span><\/i><span style=\"font-weight: 400;\">. It\u2019s worth noting that Porches were the only group of the night that managed to get the entire crowd on their feet, even getting a small mass of people dancing at the edge of the stage.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">From there, Girlpool closed out the night. Their blend of sentimental, impassioned indie emo was a slight comedown from the dance party antics of Porches, but the band still managed to put on the tightest set of the night. Despite being a relatively new group with their first album of full-band material <\/span><i><span style=\"font-weight: 400;\">Powerplant<\/span><\/i><span style=\"font-weight: 400;\"> coming out last year, they played like seasoned veterans. The emotion and honesty of their albums translates to the stage, especially when they strip their lineup down to just singers Cleo Tucker and Harmony Tividad and play the sweet twee of their earlier albums. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Something that really stood out to me was this interesting tick frontman Cleo Tucker has on the band\u2019s slower tracks. When they swing they square up right into the microphone with a really aggressive look on their face and then pushes around with their chest; it seems more like they\u2019re trying to start a fight than anything else. And while that may seem minor and is admitally super difficult to translate into words, there&#8217;s an intensity and honesty in the gesture that captures the overall feeling of Girlpool\u2019s show better than I could any other way. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Sure, the full-band songs blended together a little and Porches might have felt more like the stars of the night, but when Girlpool closed out the show with a heartwarming, wholesome encore of a quick folksy duet between Tucker and Tividad, it seemed like the perfect way to end the night. <\/span><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>By Jack Beck &nbsp; I\u2019m trying to get through all of the tragedies Shakespeare wrote before the end of the semester and right now I\u2019m on Titus Andronicus, one of his first plays. It\u2019s known for having by far the highest body count of any of his works, the play\u2019s traditional Shakespearean scenes in the [&hellip;]<\/p>\n","protected":false},"author":13221,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1525],"tags":[26,97,327,555,556,554,31,557,25],"_links":{"self":[{"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/posts\/3112"}],"collection":[{"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/users\/13221"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/comments?post=3112"}],"version-history":[{"count":1,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/posts\/3112\/revisions"}],"predecessor-version":[{"id":3114,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/posts\/3112\/revisions\/3114"}],"wp:attachment":[{"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/media?parent=3112"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/categories?post=3112"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/tags?post=3112"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}