{"id":24640,"date":"2020-11-27T12:11:58","date_gmt":"2020-11-27T17:11:58","guid":{"rendered":"https:\/\/sites.bu.edu\/wtbu\/?p=24640"},"modified":"2020-11-27T12:34:32","modified_gmt":"2020-11-27T17:34:32","slug":"yungblud-being-divided-is-old-and-boring","status":"publish","type":"post","link":"https:\/\/sites.bu.edu\/wtbu\/2020\/11\/27\/yungblud-being-divided-is-old-and-boring\/","title":{"rendered":"Yungblud: &#8220;Being divided is old and boring&#8221;"},"content":{"rendered":"<p><em>By Hannah Yoshinaga<\/em><\/p>\n<p><span>Although Dominic Harrison has two albums, two EPs and almost nine million monthly Spotify listeners to his name, he doesn\u2019t consider his music anywhere as important as the impact his songs have had on young people struggling to find their places in the world.\u00a0<\/span><\/p>\n<p><span>Harrison, known by his stage name Yungblud, takes pride in being able to reach people from all walks of life with his music, using the Yungblud fanbase to create a welcoming atmosphere for anyone who doesn\u2019t quite know who they are or how to find others like them.\u00a0<\/span><\/p>\n<p><span><img loading=\"lazy\" src=\"\/wtbu\/files\/2020\/11\/yungbludweird.jpg\" alt=\"Album art for Weird! by Yungblud\" class=\" wp-image-24647 alignright\" width=\"324\" height=\"324\" srcset=\"https:\/\/sites.bu.edu\/wtbu\/files\/2020\/11\/yungbludweird.jpg 1000w, https:\/\/sites.bu.edu\/wtbu\/files\/2020\/11\/yungbludweird-636x636.jpg 636w, https:\/\/sites.bu.edu\/wtbu\/files\/2020\/11\/yungbludweird-150x150.jpg 150w, https:\/\/sites.bu.edu\/wtbu\/files\/2020\/11\/yungbludweird-768x768.jpg 768w, https:\/\/sites.bu.edu\/wtbu\/files\/2020\/11\/yungbludweird-100x100.jpg 100w\" sizes=\"(max-width: 324px) 100vw, 324px\" \/>Harrison is aiming to invoke a similar feeling of camaraderie with his newest album <\/span><a href=\"https:\/\/yungblud.lnk.to\/weirdalbum\" target=\"_blank\" rel=\"noopener noreferrer\"><i><span>Weird!<\/span><\/i><\/a><span>, set to be released on December 4 and promoted with a virtual world tour including a <a href=\"https:\/\/www.yungbludofficial.com\/tour\" target=\"_blank\" rel=\"noopener noreferrer\">Boston date on December 1<\/a>. In a press conference hosted by <\/span><span>\u00b0<\/span><span>1824, he said that the album is focused on self-discovery, community and accepting being a little bit different.\u00a0<\/span><\/p>\n<p><span>While his popularity in the rock scene has massively increased since the release of his first album in 2018, Harrison has never gotten too busy to spend time with the Yungblud community, allowing him to connect with fans and hear their stories.\u00a0<\/span><\/p>\n<p><span>\u201cAll this kind of thing that Yungblud is about has always been about culture and about making people, young people, feel like they\u2019ve got some place to belong no matter what the f\u2014 they might be going through,\u201d Harrison said.\u00a0<\/span><\/p>\n<p><span>\u201cI\u2019ve met every kid, every shape, every color from every f\u2014ing continent from every walk of life the past 18 months, and these albums are their stories.\u201d<\/span><span>\u00a0<\/span><\/p>\n<p><span>Harrison\u2019s desire to build a sense of community within the Yungblud fanbase stems from his childhood in Doncaster, U.K., a working class and industrial town.\u00a0<\/span><\/p>\n<p><span>\u201cI think kind of that oppressive, very working class nature was hard for me growing up because I was a guy in nail varnish and a skirt at 13,\u201d Harrison said. \u201cI think also there\u2019s such a pride of community in working class towns because that\u2019s all you\u2019ve got, people in the same situation is you is the only thing you\u2019ve got, so I would say that even though it was hard to grow up there, it gave me a sense of wanting to build a community, of wanting to build a culture of people who felt and acted and belonged like me.\u201d<\/span><\/p>\n<p><span>Harrison left Doncaster and moved to London at age 16 to begin his music career. After being told that no label would sign him unless he made an appearance on <\/span><i><span>The Voice<\/span><\/i><span> and performed generic tracks, Harrison took a risk and chose to instead make music that would allow him to include messages about gender identity, sexuality and politics.\u00a0\u00a0<\/span><\/p>\n<p><span>\u201cAs soon as I started telling the truth, people started to listen to me and then they started telling the truth back,\u201d Harrison said. \u201cAnd the fact that everyone\u2019s responding to me to telling the truth makes me take one more step forward in my truth and then another step forward, and the more confidence you get to tell the truth, you just don\u2019t f\u2014ing bulls\u2014 anyone and hide who you are anymore, and I think that\u2019s such a mutual thing between me and my fanbase.\u201d<\/span><span>\u00a0<\/span><\/p>\n<p><span>Harrison also felt it was important to cover these issues because the punk rock genre has historically failed to embrace messages about inclusivity for all.<\/span><\/p>\n<p><span>As his career has progressed, Harrison has found opportunities to highlight the importance of social justice, especially as Black Lives Matter demonstrations continue across the world.\u00a0<\/span><\/p>\n<p><span>\u201cAll Yungblud is about is f\u2014ing humanity really and equality for every single person, no matter what your color, what your size, what your shape, what your sexuality, whatever the f\u2014 you want to be,\u201d Harrison said. \u201cBeing divided is old and boring and for f\u2014ing idiots.\u201d<\/span><\/p>\n<p><span>Harrison has participated in BLM protests throughout 2020 and plans to continue using his platform to fight for equality.\u00a0<\/span><\/p>\n<p><span>Although his <\/span><i><span>Weird!<\/span><\/i><span> tour will be held in a virtual format, Harrison still hopes to use the experience as an opportunity to reach out to fans who need the welcoming environment of the Yungblud community.\u00a0<\/span><\/p>\n<p><span>\u201cI wish I was coming to your cities but at the end of the day, I always operate best when I\u2019ve got something to kick against and not being able to play live has given me something to kick against,\u201d Harrison said. \u201cWith it, just because we can\u2019t touch each other doesn\u2019t mean we can\u2019t feel each other and I want to feel that f\u2014ing energy again, it doesn\u2019t matter if it\u2019s over a f\u2014ing computer.\u201d<\/span><\/p>\n<p><span>Regardless of how COVID-19 affects the music industry moving forward, Harrison hopes to use both his tour and songs to welcome anyone who needs to hear the stories he tells into the Yungblud family.<\/span><\/p>\n<p><span>\u201cI ain\u2019t Yungblud, Yungblud is we, Yungblud is us, Yungblud is a f\u2014ing culture of people who want to come together to belong somewhere,\u201d Harrison said. \u201cIt\u2019s just f\u2014ing blew my mind that a community can change people\u2019s lives and perspectives like that because our generation, man, we are changing s\u2014 and we are f\u2014ing pushing things forward with the idea that being yourself ain\u2019t a f\u2014ing sin or anything to be ashamed about, and that\u2019s what I want this record to tell.\u201d\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>By Hannah Yoshinaga Although Dominic Harrison has two albums, two EPs and almost nine million monthly Spotify listeners to his name, he doesn\u2019t consider his music anywhere as important as the impact his songs have had on young people struggling to find their places in the world.\u00a0 Harrison, known by his stage name Yungblud, takes [&hellip;]<\/p>\n","protected":false},"author":17168,"featured_media":24644,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[16],"tags":[1574,1619,561],"_links":{"self":[{"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/posts\/24640"}],"collection":[{"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/users\/17168"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/comments?post=24640"}],"version-history":[{"count":7,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/posts\/24640\/revisions"}],"predecessor-version":[{"id":25087,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/posts\/24640\/revisions\/25087"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/media\/24644"}],"wp:attachment":[{"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/media?parent=24640"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/categories?post=24640"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/tags?post=24640"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}