{"id":1212,"date":"2018-01-29T11:45:26","date_gmt":"2018-01-29T16:45:26","guid":{"rendered":"https:\/\/sites.bu.edu\/wtbu\/?p=1212"},"modified":"2019-12-17T20:26:19","modified_gmt":"2019-12-18T01:26:19","slug":"review-blues-traveler-los-colognes-0126-house-of-blues","status":"publish","type":"post","link":"https:\/\/sites.bu.edu\/wtbu\/2018\/01\/29\/review-blues-traveler-los-colognes-0126-house-of-blues\/","title":{"rendered":"REVIEW: Blues Traveler, Los Colognes 01\/26 @ House of Blues"},"content":{"rendered":"<p><img loading=\"lazy\" src=\"\/wtbu\/files\/2018\/01\/DUkY1cvUMAAMzeU.jpg-large-636x358.jpeg\" alt=\"DUkY1cvUMAAMzeU.jpg-large\" width=\"636\" height=\"358\" class=\"alignnone size-medium wp-image-1211\" srcset=\"https:\/\/sites.bu.edu\/wtbu\/files\/2018\/01\/DUkY1cvUMAAMzeU.jpg-large-636x358.jpeg 636w, https:\/\/sites.bu.edu\/wtbu\/files\/2018\/01\/DUkY1cvUMAAMzeU.jpg-large-768x432.jpeg 768w, https:\/\/sites.bu.edu\/wtbu\/files\/2018\/01\/DUkY1cvUMAAMzeU.jpg-large-1024x576.jpeg 1024w, https:\/\/sites.bu.edu\/wtbu\/files\/2018\/01\/DUkY1cvUMAAMzeU.jpg-large.jpeg 2016w\" sizes=\"(max-width: 636px) 100vw, 636px\" \/><\/p>\n<p><span style=\"font-weight: 400;\">After a blast of Southern rock from Nashville-based opener Los Colognes, Blues Traveler made their way onto the stage at House of Blues as a high-energy walk-on song played in the background, kicking off the second leg of their 30<\/span><span style=\"font-weight: 400;\">th<\/span><span style=\"font-weight: 400;\"> anniversary tour. Clad in his characteristic black hat, front man\/harmonica virtuoso John Popper led the group in the instrumental jam \u201cMountain Cry,\u201d featuring fantastic slap technique from bassist Tad Kinchla, before leading into an extended version of their tune \u201cBut Anyway.\u201d Although I was initially skeptical of how well the group would improvise, each band member churned out impressive and energetic solos throughout the night, even going so far as to step offstage during others\u2019 solos as in the jazz tradition. Beyond their individual talents, the band was also tight as a unit. After so many years of playing together, the band has a great sense of each other\u2019s playing that allowed them to take their blues-infused pop songs in unexpected directions. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">As impressive as his band mates were, Popper was by far the star of the show. He continually showcased his mastery of the harmonica, playing solos full of slick sixteenth-note lines and effectual tricks that cleverly integrated familiar hooks while building to a musical climax. In this way he captivated me with each of his more than a dozen solos over the course of the show, which is not always the case with improvised music. In addition to harmonica, Popper is a talented vocalist and songwriter. While there were moments when he rasped to the edge of his range, most of his singing sounded as clear and powerful as it does on records from decades ago. A particular example was the ballad \u201cOde from the Aspect\u201d from the upcoming record \u201cHurry Up and Hang Around,\u201d which found Popper\u2019s vocals accompanied only by keyboardist Ben Wilson. Popper claimed that the ballad was written \u201cfor the audience\u201d and indeed he proved himself a musician in love with his fans, pausing often to remind them how awesome they were and to tip the wait staff. \u00a0\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The rest of the set featured early hits including \u201cRunaround\u201d and \u201cCarolina Blues,\u201d which brought up the lead guitarist of Los Colognes for a fiery bout of call and response with Popper\u2019s harmonica. These were interspersed by \u201cAll Fall Down\u201d and \u201cShe Becomes My Way\u201d off of the new record, as well as a blazing rendition of \u201cThe Devil Went Down to Georgia,\u201d complete with Popper\u2019s harmonica in place of a fiddle and infused with a disco offbeat. They closed the set with a lengthy, driving solo from drummer Brendan Hill before giving way to \u201cHook,\u201d in which Popper relinquished a chorus to the singing audience. <\/span><\/p>\n<p>They returned for the encore (joking, \u201cI don\u2019t know why you\u2019re so excited, of course we\u2019re back\u201d) to cover ZZ Top\u2019s \u201cLa Grange\u201d featuring Ben Wilson on vocals and keys, before closing with the new, synth-heavy \u201cWolf is Bumpin\u2019.\u201d For this, Wilson pulled out a keytar which he proceeded to lob across the stage into the arms of a stagehand. Before making their exit, the others followed Wilson\u2019s example, sending picks, drums sticks, and harmonicas into the audience as souvenirs.<\/p>\n<p><span style=\"font-weight: 400;\">As they made their way off the stage, stooping to shake hands with cheering audience members, it felt like the band was crossing a milestone rather than a finish line. Thirty years is a long time to perform as a band, and in that time Blues Traveler has crafted an outfit that allows them to maintain their signature sound while putting out records and playing shows that are still dynamic and energizing. That is an impressive achievement for a band, and based on their performance, I would guess Blues Traveler won\u2019t be letting it go unheard anytime soon. <\/span><\/p>\n<p>&nbsp;<\/p>\n<p><i><span style=\"font-weight: 400;\">-Chris Bunting<\/span><\/i><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>After a blast of Southern rock from Nashville-based opener Los Colognes, Blues Traveler made their way onto the stage at House of Blues as a high-energy walk-on song played in the background, kicking off the second leg of their 30th anniversary tour. Clad in his characteristic black hat, front man\/harmonica virtuoso John Popper led the [&hellip;]<\/p>\n","protected":false},"author":13221,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1525],"tags":[314,33,26,202,315,31,25],"_links":{"self":[{"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/posts\/1212"}],"collection":[{"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/users\/13221"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/comments?post=1212"}],"version-history":[{"count":1,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/posts\/1212\/revisions"}],"predecessor-version":[{"id":1213,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/posts\/1212\/revisions\/1213"}],"wp:attachment":[{"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/media?parent=1212"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/categories?post=1212"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.bu.edu\/wtbu\/wp-json\/wp\/v2\/tags?post=1212"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}