{"id":169,"date":"2022-04-06T14:15:15","date_gmt":"2022-04-06T18:15:15","guid":{"rendered":"https:\/\/sites.bu.edu\/wrjournal\/?p=169"},"modified":"2023-04-07T11:25:05","modified_gmt":"2023-04-07T15:25:05","slug":"chouse12","status":"publish","type":"post","link":"https:\/\/sites.bu.edu\/wrjournal\/2022\/04\/06\/chouse12\/","title":{"rendered":"Street Photography Influenced by the Artist Garry Winogrand"},"content":{"rendered":"

Colin House<\/span><\/h3>\n
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Instructor’s Introduction<\/h4>\n

These photographs (and the corresponding informal reflection) were occasioned by a creative assignment for WR 151 \u201cImprovisation Now,\u201d a class that was itself an improvised spin-off when a planned class called \u201cThe Theater Now\u201d became impossible as theatrical productions closed throughout the city. Colin House\u2019s black and white images speak for themselves\u2014they are dynamic, striking, and demonstrate a natural talent for putting interesting perspectives in the frame in the utterly uncontrived context of street photography\u2014but it is nonetheless interesting to read in his reflection how his research, artistic internship, and writing in the class influenced how he chose to capture this surreal time in our lives, when even the boardwalks of Myrtle Beach are strangely semi-deserted.<\/span><\/p>\n

Kevin Barents<\/span><\/h6>\n
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Street Photography Influenced by the Artist Garry Winogrand<\/h3>\n