{"id":2698,"date":"2023-10-01T18:50:42","date_gmt":"2023-10-01T22:50:42","guid":{"rendered":"https:\/\/sites.bu.edu\/womenandmasks\/?page_id=2698"},"modified":"2024-06-26T14:42:19","modified_gmt":"2024-06-26T18:42:19","slug":"bibliography","status":"publish","type":"page","link":"https:\/\/sites.bu.edu\/womenandmasks\/research\/bibliography\/","title":{"rendered":"Bibliography"},"content":{"rendered":"
\"\"<\/a>
Megan Marlatt and her in her studio in Virginia with James Ensor big head.<\/figcaption><\/figure>\n

 <\/p>\n

Books<\/strong><\/h4>
<\/p>\n

Anderson, Melody. <\/span>Making Masks<\/span><\/i>. Blurb, 2022.<\/span><\/p>\n

Bell, Deborah. <\/span>Mask Makers and Their Craft: An Illustrated Worldwide Study<\/span><\/i>. McFarland & Company, 2015.<\/span><\/p>\n

Bell, Deborah. <\/span>Masquerade: Essays on Tradition and Innovation Worldwide<\/span><\/i>. McFarland & Company, 2015.<\/span><\/p>\n

Burgholzer, Laurette, et al. <\/span>UN\/Masking Reflections on a Transformative Process<\/span><\/i>. Neofelis, 2021.<\/span><\/p>\n

Buyandelger, Manduhai. <\/span>Tragic Spirits: Shamanism, Memory, and Gender in Contemporary Mongolia<\/span><\/i>. The University of Chicago Press, 2013.<\/span><\/p>\n

Gagliardi, Susan Elizabeth. <\/span>Seeing the Unseen: Arts of Power Associations on the Senufo-Mande Cultural “Frontier.” <\/em>Indiana University Press, 2023.<\/p>\n

Galembo, Phyllis. <\/span>Phyllis Galembo: Maske<\/span><\/i>. Aperture, 2016.<\/span><\/p>\n

Hunt, Deborah. <\/span>Masks and Masked Faces: A Manual for the Construction of 22 Masks and Their Variations.<\/span><\/i> MaskHunt Motions, 2013.<\/span><\/p>\n

Lin, Doris. <\/span>Wearing Masks Is Fashion<\/span><\/i>. 2020.<\/span><\/p>\n

McClung, Mary. <\/span>Mask Making Techniques: Creating 3-D Characters from 2-D Designs for Theatre, Cosplay, Film, and TV<\/span><\/i>. Routledge, 2023.<\/span><\/p>\n

Meaden, Wendy J., and Michael A. Brown. <\/span>Theatre Masks Out Side In: Perspectives on Mask History, Design, Construction, and Performance<\/span><\/i>. 1st ed., Routledge, 2023.<\/span><\/p>\n

Mello, Alissa; Orenstein, Claudia; and Astles, Cariad (Eds). Women and Puppetry: <\/em>Critical and Historical Investigations<\/em>. 1st ed., Routledge, 2019<\/p>\n

Rainier, Chris, and Pico Iyer. <\/span>Mask<\/span><\/i>. Earth Aware Editions, 2019.<\/span><\/p>\n

Tsee\u0308lon, Efrat, et al. <\/span>Fashion as Masquerade: Critical Studies in Fashion & Beauty<\/span><\/i>. Vol. 3, Intellect Books, 2014.<\/span><\/p>\n

Tse\u00eblon, Efrat. <\/span>Masquerade and Identities Essays on Gender, Sexuality, and Marginality<\/span><\/i>. Routledge, 2001.<\/span><\/p>\n

Wearing, Gillian, Claude Cahun, et al. <\/span>Gillian Wearing and Claude Cahun behind the Mask, Another Mask<\/span><\/i>. Princeton University Press, 2017.<\/span><\/p>\n

Wearing, Gillian, Jennifer Blessing, et al. <\/span>Gillian Wearing: Wearing Masks<\/span><\/i>. Guggenheim Museum, 2021.\u00a0<\/span><\/p>\n

<\/div>\n<\/div>\n\n

Articles and Journals<\/strong><\/h4>
<\/p>\n

Abu Bakr, Sarah. “A Hijab Proper: The Veil Through Feminist Narrative Inquiry.” Visual Culture & Gender [Online], 9 (2014): 7-17. Web. 24 Mar. 2024<\/span><\/p>\n

A\u2019ness, Francine. \u201cResisting Amnesia: Yuyachkani, Performance, and the Postwar Reconstruction of Peru.\u201d <\/span>Theatre Journal<\/span><\/i>, vol. 56, no. 3, 2004, pp. 395\u2013414.<\/span><\/p>\n

Keifer-Boyd, Karen. “Masquerading the immateriality of materiality.” In R. W. Sweeny (Ed.), Inter\/sections\/Inter\/actions: Art Education in a Digital Visual Culture, <\/span>2010, pp. 170-181.<\/p>\n

Lambright, Anne. “A Nation Embodied: Woman in the Work of Yuyachkani.” Letras Femeninas, vol. 35, no. 2, 2009, pp. 133\u201352.<\/span><\/p>\n

Okafor, Chinyere Grace. \u201cFemale Power: Corner Stone or Central Subject in Igbo Mask Performance.\u201d Edited by Falola et al. <\/span>Emergent Themes and Methods in African Studies: Essays in Honor of Adiele Eberechukwu Afigbo<\/span><\/i>, 2008, pp. 431\u2013446.<\/span><\/p>\n

Okafor, Chinyere Grace. \u201cFemale Power: Cornerstone or Central Subject in Igbo Mask Performance.\u201d Edited by G. E. K. Ofomata and Chudi Uwazurike. <\/span>A Survey Of The Igbo Nation<\/span><\/i>, vol. 2, 2013.<\/span><\/p>\n

Okafor, Chinyere Grace. \u201cGender Politics in West African Mask Performance.\u201d Edited by Stephanie Newell. <\/span>Writing African Women: Gender, Popular Culture and Literature in West Africa<\/span><\/i>, 1997, pp. 157\u2013169.<\/span><\/p>\n

Okafor, Chinyere Grace. \u201cGlobal encounters: Barbie in Nigerian Agbogho-mmuo mask context.\u201d <\/span>Journal of African Cultural Studies<\/span><\/i>, vol. 19, no. 1, 2007, pp. 37\u201354.<\/span><\/p>\n

Okafor, Chinyere Grace. \u201cRewriting Popular Myths of Female Subordination: Selected Stories by Theodora Adimora\u2011Ezeigbo and May Ifeoma Nwoye.\u201d Edited by Stephanie Newell. <\/span>Writing West African Women: Gender, Popular Culture and Literature in West Africa<\/span><\/i>, 1997, pp. 81\u201394.<\/span><\/p>\n

Okafor, Chinyere Grace. \u201cThe Rejected Corner Stone: Women In Igbo Mask Theater.\u201d <\/span>Africana Studies and Research Center Newsletter<\/span><\/i>, vol. 4, no. 1, 1992, p. 19\u201123-27\u201131.<\/span><\/p>\n

Petkova, Galia. \u201cOnna Mono: The \u2018Female Presence\u2019 on the Stage of the All-Male Traditional Japanese Theatre.\u201d <\/span>Asian Theatre Journal<\/span><\/i>, vol. 32, no. 2, 2015, pp. 387\u2013415.<\/span><\/p>\n

Petkova, Galia. \u201cProjecting Classicism in Classical Kabuki Theatre \u2013 A Gender Perspective.\u201d Edited by \u8352\u6728. <\/span>\u53e4\u5178\u306e\u672a\u6765\u5b66\u202f: Projecting Classicism<\/span><\/i>, 2020, pp. 811\u2013835.<\/span><\/p>\n

Tonkin, Elizabeth. \u201cMasks and Powers.\u201d Man<\/em>\u00a014, no. 2 (1979): 237\u201348. https:\/\/doi.org\/10.2307\/2801565<\/a>.<\/p>\n

Yotka, Steff. \u201c\u2018Fashion for Bank Robbers\u2019 Is an Insta-Obsession for the Anti-Selfie Set.\u201d <\/span>Vogue<\/span><\/i>, 17 Apr. 2019, https:\/\/www.vogue.com\/article\/fashion-for-bank-robbers-instagram-masks.<\/a><\/span><\/p>\n

<\/div>\n<\/div>\n\n

Databases<\/strong><\/h4>
<\/p>\n

Puppetry International Research Review<\/a><\/p>\n

UNIMA-USA Puppetry International<\/a><\/p>\n

Puppeteers of America Journal<\/a><\/p>\n

DOAJ<\/a><\/p>\n

<\/div>\n<\/div>\n\n","protected":false},"excerpt":{"rendered":"

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