{"id":102,"date":"2015-08-18T13:03:50","date_gmt":"2015-08-18T17:03:50","guid":{"rendered":"https:\/\/sites.bu.edu\/learningtokneel\/?page_id=102"},"modified":"2016-03-16T16:16:23","modified_gmt":"2016-03-16T20:16:23","slug":"theater-in-the-deep-w-b-yeatss-at-the-hawks-well","status":"publish","type":"page","link":"https:\/\/sites.bu.edu\/learningtokneel\/home\/theater-in-the-deep-w-b-yeatss-at-the-hawks-well\/","title":{"rendered":"Theater in the \u201cDeep\u201d: W. B. Yeats\u2019s <I>At the Hawk\u2019s Well<\/I>"},"content":{"rendered":"<figure id=\"attachment_48\" aria-describedby=\"caption-attachment-48\" style=\"width: 344px\" class=\"wp-caption aligncenter\"><a href=\"\/learningtokneel\/files\/2015\/08\/kn7zF7qPPlsfQBryPAAOg4RC5d9fCSG-rQwHkoUS4I.jpeg\"><img loading=\"lazy\" src=\"\/learningtokneel\/files\/2015\/08\/kn7zF7qPPlsfQBryPAAOg4RC5d9fCSG-rQwHkoUS4I-334x636.jpeg\" alt=\"Dying Cuchulain\" class=\"wp-image-48 size-medium\" height=\"636\" width=\"334\" srcset=\"https:\/\/sites.bu.edu\/learningtokneel\/files\/2015\/08\/kn7zF7qPPlsfQBryPAAOg4RC5d9fCSG-rQwHkoUS4I-334x636.jpeg 334w, https:\/\/sites.bu.edu\/learningtokneel\/files\/2015\/08\/kn7zF7qPPlsfQBryPAAOg4RC5d9fCSG-rQwHkoUS4I.jpeg 403w\" sizes=\"(max-width: 334px) 100vw, 334px\" \/><\/a><figcaption id=\"caption-attachment-48\" class=\"wp-caption-text\">\u201cThe Dying Cuchulain.\u201d (Photograph of sculpture). Courtesy of Howard Goldbaum (voicesfromthedawn.com).<\/figcaption><\/figure>\n<p>Yeats learned about noh from Pound, Noguchi Yone, and Ito Michio, then used features of the form to help him to create his plays for dancers. Yeats\u2019s 1916 <em>At the Hawk\u2019s Well<\/em> was a <em>Hagoromo<\/em>-inspired collaboration with Pound, Ito, Edmund Dulac, and others, which reveals Yeats\u2019s idiosyncratic nationalism.<\/p>\n<figure id=\"attachment_155\" aria-describedby=\"caption-attachment-155\" style=\"width: 560px\" class=\"wp-caption aligncenter\"><a href=\"\/learningtokneel\/files\/2015\/08\/2.8-Old-Man-AHW.png\"><img loading=\"lazy\" src=\"\/learningtokneel\/files\/2015\/08\/2.8-Old-Man-AHW-636x470.png\" alt=\"2.8 Old Man AHW\" class=\"wp-image-155\" height=\"406\" width=\"550\" srcset=\"https:\/\/sites.bu.edu\/learningtokneel\/files\/2015\/08\/2.8-Old-Man-AHW-636x470.png 636w, https:\/\/sites.bu.edu\/learningtokneel\/files\/2015\/08\/2.8-Old-Man-AHW-1024x757.png 1024w\" sizes=\"(max-width: 550px) 100vw, 550px\" \/><\/a><figcaption id=\"caption-attachment-155\" class=\"wp-caption-text\">British actor Allan Wade as \u201cthe Old Man\u201d in Yeats\u2019 play, \u201cAt the Hawk\u2019s Well,\u201d 1916. \u00a9 George Eastman House, International Museum of Photography and Film.<\/figcaption><\/figure>\n<hr \/>\n<p><a href=\"\/learningtokneel\/files\/2015\/08\/Clip-3.mov\">Clip 3<\/a>\u00a0Fan work in <em>Hagoromo <\/em>kiri, performed by Carrie J. Preston.<\/p>\n<p><a href=\"\/learningtokneel\/files\/2015\/08\/Clip-4.mov\">Clip 4<\/a>\u00a0Arms swinging from crossed fifth position <em>en avant <\/em>to fifth <em>en haut <\/em>then opening to second position as in ballet, performed by Carrie J. Preston.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Yeats learned about noh from Pound, Noguchi Yone, and Ito Michio, then used features of the form to help him to create his plays for dancers. Yeats\u2019s 1916 At the Hawk\u2019s Well was a Hagoromo-inspired collaboration with Pound, Ito, Edmund Dulac, and others, which reveals Yeats\u2019s idiosyncratic nationalism. Clip 3\u00a0Fan work in Hagoromo kiri, performed [&hellip;]<\/p>\n","protected":false},"author":10800,"featured_media":0,"parent":5,"menu_order":4,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/sites.bu.edu\/learningtokneel\/wp-json\/wp\/v2\/pages\/102"}],"collection":[{"href":"https:\/\/sites.bu.edu\/learningtokneel\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.bu.edu\/learningtokneel\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.bu.edu\/learningtokneel\/wp-json\/wp\/v2\/users\/10800"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.bu.edu\/learningtokneel\/wp-json\/wp\/v2\/comments?post=102"}],"version-history":[{"count":16,"href":"https:\/\/sites.bu.edu\/learningtokneel\/wp-json\/wp\/v2\/pages\/102\/revisions"}],"predecessor-version":[{"id":549,"href":"https:\/\/sites.bu.edu\/learningtokneel\/wp-json\/wp\/v2\/pages\/102\/revisions\/549"}],"up":[{"embeddable":true,"href":"https:\/\/sites.bu.edu\/learningtokneel\/wp-json\/wp\/v2\/pages\/5"}],"wp:attachment":[{"href":"https:\/\/sites.bu.edu\/learningtokneel\/wp-json\/wp\/v2\/media?parent=102"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}