{"id":4323,"date":"2022-04-25T15:42:13","date_gmt":"2022-04-25T20:42:13","guid":{"rendered":"https:\/\/sites.bu.edu\/crc\/?p=4323"},"modified":"2024-02-02T15:53:29","modified_gmt":"2024-02-02T20:53:29","slug":"letter-from-the-director-april-2022","status":"publish","type":"post","link":"https:\/\/sites.bu.edu\/crc\/2022\/04\/25\/letter-from-the-director-april-2022\/","title":{"rendered":"Letter from the Director: April 2022"},"content":{"rendered":"

The Dark Side of Comedy<\/strong><\/p>\n

When the Boston University Communication Research Center was first organized in the late 1950s, some of its earliest research involved the study of comics.<\/p>\n

Fears were so great in the U.S. about the potential harms of comic books on youth that Congress created a subcommittee<\/a> to study their effects on juvenile delinquency.<\/p>\n

Unlike the comics in books, newspapers, and magazines, a separate type of comics \u2013 the stand up kind \u2013 emerged as a phenomenon of study. Encompassed by the field of \u201chumor studies,\u201d researchers examined the psychological and physiological effects of humor \u2013 positive or negative \u2013 on individuals or groups of people.\"\"<\/p>\n

At this year\u2019s Academy Awards ceremony, audiences witnessed the dark side of comedy when Best Actor nominee Will Smith assaulted comedian and awards host Chris Rock on stage after he ad-libbed a joke about the hairstyle of Smith\u2019s wife, Jada Pinkett Smith.<\/p>\n

Given that CRC Fellow Dr. Patrice Oppliger<\/a> is an Executive Board Member and Past President of the International Society for Humor Studies<\/a> \u2013 and has even co-edited a book called The Dark Side of Stand-Up Comedy<\/em><\/a> \u2013 it seemed fitting to get her perspective on how communication research can help us understand this media spectacle. Oppliger told me, \u201cIn putting together our book, we framed the contributions from academics and professional comedians focusing on the communication model components: sender (comedian\u2019s background), message (type of jokes), channel (venues), and receiver (audience reception).\u201d She explained,<\/p>\n

These factors can also be used to analyze the \u201cOscar slap\u201d heard \u2018round the world on March 27, 2022. Issues of race and gender complicate matters as do the backgrounds of the players involved. Will Smith\u2019s PTSD from not being able to protect his mother from his abusive father and Jada Pinkett Smith\u2019s battle with an autoimmune condition and the loss of her hair culminated in Smith slapping Rock after he joked about her resemblance to the title character of the 1997 film G.I. Jane<\/em>.<\/p>\n

Talk radio and social media have been rife with mansplaining\/whitesplaining about how the joke was harmless. There is perhaps more to the joke given the history of the actors involved. Years earlier, Rock made a disparaging remark about Jada\u2019s #OscarsSoWhite boycott of the 2016 Oscars, joking that she had not been invited in the first place. Rock noted the 2022 joke was \u201ca nice one.\u201d \"\"<\/p>\n

Aside from Netflix comedy specials, stand-up is generally performed in an intimate setting \u2013 in front of a live audience who have access to the performer. In The Dark Side of Stand-Up Comedy<\/em>, we include stories of audience members attacking comics. Thus, assaults on stand-up comedians are not unprecedented. The juxtaposition of the Oscar slap highlights the difference between film comedy, where scripted lines go through several layers of editing, and the free-style stand-up stage (reports are that Rock improvised the line). There is also a tradition of roasting audience members at award shows. For example, earlier that night, Regina Hall made a humorous reference to Will and Jada\u2019s open marriage. While her comment did not draw an assault from Smith, it may have primed his reaction.<\/p>\n

Beyond the live audience (most of whom gave Smith a standing ovation after his Best Actor win), social media lit up with \u201cTeam Will,\u201d \u201cTeam Chris,\u201d and \u201cTeam Jada\u201d tweets. The one-minute exchange presents fodder for academics and armchair analysts alike that will be debated for years to come.<\/p><\/blockquote>\n

Indeed, as evidenced from students in my CM180 \u201cUnderstanding Media\u201d class, their reception of the situation was decidedly mixed. We discussed the controversy on the day that the Academy of Motion Picture Arts and Sciences announced that Smith would be barred from attending the awards ceremony for 10 years because of his \u201charmful behavior.<\/a>\u201d When eliciting feedback from students, they shared the following observations:<\/p>\n

Student A: \u201c10 years is too much. That\u2019s a little extreme. 1 year would have been better.\u201d<\/p>\n

Student B: \u201cOn the one hand, 10 years is a long time. On the other hand, if we do not give the situation a proper punishment, those who observed the violence conducted by Will Smith will think that it\u2019s okay to use violence to solve problems.\u201d<\/p>\n

Student C: \u201cWill other actors be treated the exact same\u2026like, is this the standard going forward?\u201d<\/p>\n

Student D: \u201cI think there\u2019s other people the Academy should also ban. There\u2019s people in the Academy who have committed domestic violence \u2013who have been prosecuted \u2013 and are still there.\u201d<\/p>\n

As clearly demonstrated by Smith\u2019s reception of Rock\u2019s joke \u2013 and the mixed reception of audiences wide and far to Smith\u2019s response \u2013 humor studies and communication research can offer nuanced insights into the effects of humor on individuals and groups of people.<\/p>\n","protected":false},"excerpt":{"rendered":"

The Dark Side of Comedy When the Boston University Communication Research Center was first organized in the late 1950s, some of its earliest research involved the study of comics. Fears were so great in the U.S. about the potential harms of comic books on youth that Congress created a subcommittee to study their effects on […]<\/p>\n","protected":false},"author":20071,"featured_media":4324,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[10,72],"tags":[],"_links":{"self":[{"href":"https:\/\/sites.bu.edu\/crc\/wp-json\/wp\/v2\/posts\/4323"}],"collection":[{"href":"https:\/\/sites.bu.edu\/crc\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.bu.edu\/crc\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.bu.edu\/crc\/wp-json\/wp\/v2\/users\/20071"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.bu.edu\/crc\/wp-json\/wp\/v2\/comments?post=4323"}],"version-history":[{"count":6,"href":"https:\/\/sites.bu.edu\/crc\/wp-json\/wp\/v2\/posts\/4323\/revisions"}],"predecessor-version":[{"id":4331,"href":"https:\/\/sites.bu.edu\/crc\/wp-json\/wp\/v2\/posts\/4323\/revisions\/4331"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sites.bu.edu\/crc\/wp-json\/wp\/v2\/media\/4324"}],"wp:attachment":[{"href":"https:\/\/sites.bu.edu\/crc\/wp-json\/wp\/v2\/media?parent=4323"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.bu.edu\/crc\/wp-json\/wp\/v2\/categories?post=4323"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.bu.edu\/crc\/wp-json\/wp\/v2\/tags?post=4323"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}