{"id":3765,"date":"2019-12-13T10:13:19","date_gmt":"2019-12-13T15:13:19","guid":{"rendered":"https:\/\/sites.bu.edu\/crc\/?p=3765"},"modified":"2021-10-08T12:27:46","modified_gmt":"2021-10-08T16:27:46","slug":"new-book-by-crc-fellow-charlotte-howell-divine-programming-to-be-released-april-2020","status":"publish","type":"post","link":"https:\/\/sites.bu.edu\/crc\/2019\/12\/13\/new-book-by-crc-fellow-charlotte-howell-divine-programming-to-be-released-april-2020\/","title":{"rendered":"New book by CRC fellow Charlotte Howell, &#8220;Divine Programming,&#8221; to be released April 2020"},"content":{"rendered":"<p><img loading=\"lazy\" src=\"\/crc\/files\/2019\/12\/414-gLFCKL._SX327_BO1204203200_.jpg\" alt=\"\" width=\"319\" height=\"492\" class=\"size-full wp-image-3925 alignleft\" \/><span>From the mid-90s to the present, television drama with religious content has come to reflect the growing cultural divide between white middle-America and concentrated urban elites. As author Charlotte E. Howell argues in this forthcoming book, by 2016, television narratives of white Christianity had become entirely disconnected from the religion they were meant to represent. Programming labeled &#8220;family-friendly&#8221; became a euphemism for white, middlebrow America, and developing audience niches became increasingly significant to serial dramatic television. Utilizing original case studies and interviews,<\/span><em><span>\u00a0<\/span>Divine Programming<span>\u00a0<\/span><\/em><span>investigates the development, writing, producing, marketing, and positioning of key series including\u00a0<\/span><em>7th Heaven, Friday Night Lights, Rectify, Supernatural, Jane the Virgin, Daredevil,<\/em><span>\u00a0and\u00a0<\/span><em>Preacher.<\/em><span>\u00a0<\/span><\/p>\n<p><span>As this book shows, there has historically been a deep ambivalence among television production cultures regarding religion and Christianity more specifically. It illustrates how middle-American television audiences lost significance within the Hollywood television industry and how this, in turn, has informed and continues to inform television programming on a larger scale. In recent years, upscale audience niches have aligned with the perceived tastes of affluent, educated, multicultural, and-importantly-secular elites. As a result, the televised representation of white Christianity had to be othered and shifted into the unreality of fantastic genres to appeal to niche audiences. To examine this effect, Howell looks at religious representation through four approaches\u2014establishment, distancing, displacement, and use\u2014and looks at series across a variety of genres and outlets in order to provide varied analyses of each theme.<\/span><\/p>\n<p><em><a href=\"https:\/\/www.amazon.com\/Divine-Programming-Negotiating-Christianity-Television\/dp\/0190054387\">Click here to purchase<\/a><\/em><\/p>\n<p><img loading=\"lazy\" src=\"\/crc\/files\/2019\/07\/CHowell.jpg\" alt=\"\" width=\"159\" height=\"198\" class=\" wp-image-3204 alignleft\" \/><\/p>\n<p><strong>Charlotte E. Howell<\/strong> is an Assistant Professor of Television Studies in the Department of Film and Television and a research fellow of the CRC. Her work has been published in the Cinema Journal, <em>Critical Studies in Television, Networking Knowledge, Kinephanos<\/em>, and in the anthology S<em>upernatural, Humanity, and the Soul: On the Highway to Hell and Back.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>From the mid-90s to the present, television drama with religious content has come to reflect the growing cultural divide between white middle-America and concentrated urban elites. As author Charlotte E. Howell argues in this forthcoming book, by 2016, television narratives of white Christianity had become entirely disconnected from the religion they were meant to represent. [&hellip;]<\/p>\n","protected":false},"author":15706,"featured_media":3766,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[10],"tags":[],"_links":{"self":[{"href":"https:\/\/sites.bu.edu\/crc\/wp-json\/wp\/v2\/posts\/3765"}],"collection":[{"href":"https:\/\/sites.bu.edu\/crc\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.bu.edu\/crc\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.bu.edu\/crc\/wp-json\/wp\/v2\/users\/15706"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.bu.edu\/crc\/wp-json\/wp\/v2\/comments?post=3765"}],"version-history":[{"count":6,"href":"https:\/\/sites.bu.edu\/crc\/wp-json\/wp\/v2\/posts\/3765\/revisions"}],"predecessor-version":[{"id":3927,"href":"https:\/\/sites.bu.edu\/crc\/wp-json\/wp\/v2\/posts\/3765\/revisions\/3927"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sites.bu.edu\/crc\/wp-json\/wp\/v2\/media\/3766"}],"wp:attachment":[{"href":"https:\/\/sites.bu.edu\/crc\/wp-json\/wp\/v2\/media?parent=3765"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.bu.edu\/crc\/wp-json\/wp\/v2\/categories?post=3765"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.bu.edu\/crc\/wp-json\/wp\/v2\/tags?post=3765"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}