{"id":35,"date":"2024-07-21T17:58:25","date_gmt":"2024-07-21T21:58:25","guid":{"rendered":"https:\/\/sites.bu.edu\/arablitofwar\/?page_id=35"},"modified":"2025-01-03T11:10:28","modified_gmt":"2025-01-03T16:10:28","slug":"syria","status":"publish","type":"page","link":"https:\/\/sites.bu.edu\/arablitofwar\/syria\/","title":{"rendered":"Syria"},"content":{"rendered":"<h1>Click on cover to read our writeup:<\/h1>\n<p><a href=\"#destination3\"><img loading=\"lazy\" src=\"\/arablitofwar\/files\/2024\/08\/p10644339_p_v8_aa.jpg\" alt=\"\" width=\"135\" height=\"200\" class=\"wp-image-325 alignnone\" style=\"font-size: 16px;\" \/><\/a>\u00a0 <a href=\"#destination4\"><img loading=\"lazy\" src=\"\/arablitofwar\/files\/2025\/01\/Screenshot-2025-01-03-at-4.39.50\u202fPM-431x636.png\" alt=\"\" width=\"135\" height=\"199\" class=\"alignnone wp-image-924\" srcset=\"https:\/\/sites.bu.edu\/arablitofwar\/files\/2025\/01\/Screenshot-2025-01-03-at-4.39.50\u202fPM-431x636.png 431w, https:\/\/sites.bu.edu\/arablitofwar\/files\/2025\/01\/Screenshot-2025-01-03-at-4.39.50\u202fPM-693x1024.png 693w, https:\/\/sites.bu.edu\/arablitofwar\/files\/2025\/01\/Screenshot-2025-01-03-at-4.39.50\u202fPM-768x1134.png 768w, https:\/\/sites.bu.edu\/arablitofwar\/files\/2025\/01\/Screenshot-2025-01-03-at-4.39.50\u202fPM.png 860w\" sizes=\"(max-width: 135px) 100vw, 135px\" \/><\/a>\u00a0 <a href=\"#destination5\"><img loading=\"lazy\" src=\"\/arablitofwar\/files\/2025\/01\/Screenshot-2025-01-03-at-5.06.52\u202fPM-442x636.png\" alt=\"\" width=\"143\" height=\"205\" class=\"alignnone wp-image-931\" srcset=\"https:\/\/sites.bu.edu\/arablitofwar\/files\/2025\/01\/Screenshot-2025-01-03-at-5.06.52\u202fPM-442x636.png 442w, https:\/\/sites.bu.edu\/arablitofwar\/files\/2025\/01\/Screenshot-2025-01-03-at-5.06.52\u202fPM.png 642w\" sizes=\"(max-width: 143px) 100vw, 143px\" \/><\/a><a href=\"#destination1\"> \u00a0<img loading=\"lazy\" src=\"\/arablitofwar\/files\/2024\/08\/Screen-Shot-2024-08-21-at-8.51.30-PM-446x636.png\" alt=\"\" width=\"140\" height=\"200\" class=\"alignnone wp-image-315\" style=\"font-size: 16px;\" srcset=\"https:\/\/sites.bu.edu\/arablitofwar\/files\/2024\/08\/Screen-Shot-2024-08-21-at-8.51.30-PM-446x636.png 446w, https:\/\/sites.bu.edu\/arablitofwar\/files\/2024\/08\/Screen-Shot-2024-08-21-at-8.51.30-PM.png 672w\" sizes=\"(max-width: 140px) 100vw, 140px\" \/><\/a>\u00a0 \u00a0\u00a0<a href=\"#destination2\" style=\"font-size: 16px;\"><strong><img loading=\"lazy\" src=\"\/arablitofwar\/files\/2024\/08\/Screen-Shot-2024-08-21-at-9.19.36-PM-428x636.png\" alt=\"\" width=\"135\" height=\"200\" class=\"alignnone wp-image-319\" srcset=\"https:\/\/sites.bu.edu\/arablitofwar\/files\/2024\/08\/Screen-Shot-2024-08-21-at-9.19.36-PM-428x636.png 428w, https:\/\/sites.bu.edu\/arablitofwar\/files\/2024\/08\/Screen-Shot-2024-08-21-at-9.19.36-PM.png 462w\" sizes=\"(max-width: 135px) 100vw, 135px\" \/><\/strong><\/a><\/p>\n<hr \/>\n<p style=\"text-align: center;\"><a id=\"destination3\"><\/a><a href=\"https:\/\/www.youtube.com\/watch?v=acJg1wpPZek\"><\/a><\/p>\n<h2 style=\"text-align: center;\">Talal Derki<span>\u2019<\/span>s <em>Return to Homs<\/em><\/h2>\n<p><img loading=\"lazy\" src=\"\/arablitofwar\/files\/2024\/08\/p10644339_p_v8_aa.jpg\" alt=\"\" width=\"208\" height=\"308\" class=\"alignleft wp-image-325\" \/><\/p>\n<h3 style=\"text-align: justify;\"><strong>Talal Derki\u2019s <em>Return to Homs<\/em> (2013) is a documentary film following young revolutionary Abdel Basset Sarout (1992-2019) through his attempt to liberate the Syrian city of Homs. <\/strong><\/h3>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">Basset, who once aspired to be a professional soccer player, becomes a leader of the people of Syria who s<\/span><span style=\"font-weight: 400;\">tand against the\u00a0<\/span><span style=\"font-weight: 400;\">corrupt government during the civil war. Basset is a charming man who leads his family, friends, and comrades as they fight against Bashar al-Assad<span>\u2019<\/span>s regime with very little resources. As they all come to the realization that armed resistance is necessary in order to protect their land, they acquire any weapons they can and organize themselves in an attempt to save their beloved city of Homs. <\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\"><em>Return to Homs<\/em> beautifully demonstrates the steadfast and resilient nature of the Syrian people, amid great death and destruction. Through the revolutionary songs that Basset sings and his inspiring personality, <em>Return to Homs<\/em> is a great movie to watch in order to understand the complexities of the Syrian civil war. <\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">-Noora Lahoud <span>\u2019<\/span>25<\/span><\/p>\n<hr \/>\n<h3 style=\"text-align: center;\"><a id=\"destination1\"><\/a><\/h3>\n<h2 style=\"text-align: center;\"><a href=\"https:\/\/www.google.com\/books\/edition\/Syria_Speaks\/pzwhBQAAQBAJ?hl=en&amp;gbpv=1&amp;printsec=frontcover\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-weight: 400;\">Nawara Mahfoud<\/span><span style=\"font-weight: 400;\">, Zaher Omareen, Malu Halasa, <\/span><i><span style=\"font-weight: 400;\">Syria Speaks: Art and Culture from the Frontline<\/span><\/i><\/a><\/h2>\n<h3><img loading=\"lazy\" src=\"\/arablitofwar\/files\/2024\/08\/Screen-Shot-2024-08-21-at-8.51.30-PM-446x636.png\" alt=\"\" width=\"218\" height=\"311\" class=\"alignleft wp-image-315\" srcset=\"https:\/\/sites.bu.edu\/arablitofwar\/files\/2024\/08\/Screen-Shot-2024-08-21-at-8.51.30-PM-446x636.png 446w, https:\/\/sites.bu.edu\/arablitofwar\/files\/2024\/08\/Screen-Shot-2024-08-21-at-8.51.30-PM.png 672w\" sizes=\"(max-width: 218px) 100vw, 218px\" \/><span style=\"font-weight: 400;\"><strong>The art anthology <em>Syria Speaks<\/em> beautifully displays the intersection between Syrian art and culture and the uprising that began in 2011.<\/strong> <\/span><\/h3>\n<p><span style=\"font-weight: 400;\">Over the years, <span>artful resistance <\/span>has been used as a tool to defy the corrupt Syrian regime. As the regime monopolized the news industry, controlling what information is readily available, citizens have used art and culture to liberate themselves, share news, educate one another, and attempt to unite the people. Social media has become a vital tool in the people<span>\u2019<\/span>s revolution, and <em>Syria Speaks<\/em> highlights this throughout the anthology. Political art and independent news sources have become criminalized in Syria, and this has only forced people to be innovative and creative in their digital\/ artful resistance. <em>Syria Speaks<\/em> displays a collection of poems, posters, songs, and essays that work to defy the Syrian regime and empower \/unite the people\u2019s revolution in Syria. The sheer existence of the anthology is a testament to the steadfast Syrians who risk their lives making art that criticizes the Assad government. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">The incredible organization of the anthology makes <em>Syria Speaks<\/em> a phenomenal book to either read thoroughly or skim to learn more about the art created in Syria throughout the civil war. <em>Syria Speaks<\/em> serves as a way to avoid the numbness and indifference of death in war. As Daniel Gorman reminds us in the anthology through his piece, \u201cFrom the Outside Looking in,\u201d art might not change the trajectory of a country<span>\u2019<\/span>s history, but it will keep us from being numb. As artists in Syria risk their lives creating art, we at least have the privilege of safely consuming it, which some might even consider to be morally obligatory. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">&#8211; Noora Lahoud <span>\u2019<\/span>25<\/span><\/p>\n<hr \/>\n<p style=\"text-align: center;\"><a id=\"destination2\"><\/a><\/p>\n<h2 style=\"text-align: center;\">Talal Derki<span>\u2019<\/span>s <em>Of Fathers and Sons<\/em><\/h2>\n<h3><img loading=\"lazy\" src=\"\/arablitofwar\/files\/2024\/08\/Screen-Shot-2024-08-21-at-9.19.36-PM-428x636.png\" alt=\"\" width=\"199\" height=\"296\" class=\"alignleft wp-image-319\" srcset=\"https:\/\/sites.bu.edu\/arablitofwar\/files\/2024\/08\/Screen-Shot-2024-08-21-at-9.19.36-PM-428x636.png 428w, https:\/\/sites.bu.edu\/arablitofwar\/files\/2024\/08\/Screen-Shot-2024-08-21-at-9.19.36-PM.png 462w\" sizes=\"(max-width: 199px) 100vw, 199px\" \/><strong>Talal Derki\u2019s <em>Of Fathers and Sons<\/em> (2017) is a documentary film about the lives of fighters of the Al-Nusra Front in Syria.<\/strong><\/h3>\n<p style=\"text-align: justify;\">Derki returns to Syria and follows the daily lives of the radical Islamist Osama family. The viewer, essentially peeking into their lives, gets the opportunity to see how kids are trained and indoctrinated to fight for the Al-Nusra front from birth. -Noora Lahoud <span>\u2019<\/span>25<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<h3 style=\"text-align: center;\"><a id=\"destination4\"><\/a><\/h3>\n<h2 style=\"text-align: center;\"><a href=\"https:\/\/www.imdb.com\/title\/tt8745676\/?ref_=tt_mv_close\">Sally Al Hosaini<span>\u2019<\/span>s <em>The Swimmers<\/em><\/a><\/h2>\n<h3><img loading=\"lazy\" src=\"\/arablitofwar\/files\/2025\/01\/Screenshot-2025-01-03-at-4.39.50\u202fPM-431x636.png\" alt=\"\" width=\"209\" height=\"309\" class=\"wp-image-924 alignleft\" srcset=\"https:\/\/sites.bu.edu\/arablitofwar\/files\/2025\/01\/Screenshot-2025-01-03-at-4.39.50\u202fPM-431x636.png 431w, https:\/\/sites.bu.edu\/arablitofwar\/files\/2025\/01\/Screenshot-2025-01-03-at-4.39.50\u202fPM-693x1024.png 693w, https:\/\/sites.bu.edu\/arablitofwar\/files\/2025\/01\/Screenshot-2025-01-03-at-4.39.50\u202fPM-768x1134.png 768w, https:\/\/sites.bu.edu\/arablitofwar\/files\/2025\/01\/Screenshot-2025-01-03-at-4.39.50\u202fPM.png 860w\" sizes=\"(max-width: 209px) 100vw, 209px\" \/>The Swimmers is the story of two teenage Syrian sisters, Yusra and Sarah<br \/>\nMardini, leaving war torn Damascus in search of a better life.<\/h3>\n<p><span style=\"font-weight: 400;\">The first half of the movie details\u00a0<\/span><span style=\"font-weight: 400;\">the refugee plight; the girls join their cousin Nizar and make the perilous journey to Europe.\u00a0<\/span><span style=\"font-weight: 400;\">While being smuggled across the Aegean ocean, their dinghy began to sink. The girls, who were\u00a0<\/span><span style=\"font-weight: 400;\">trained in swimming by their almost-Olympian father, swam alongside it, ensuring the safety of\u00a0<\/span><span style=\"font-weight: 400;\">the other 18 refugees on board. The second half focuses on Yusra Mardini\u2019s journey to the\u00a0<\/span><span style=\"font-weight: 400;\">Olympics in Rio 2016. When Yusra finds out she will be unable to represent Syria in the\u00a0<\/span><span style=\"font-weight: 400;\">Olympics, she adapts to her new story as a refugee and swims for the Refugee Team, effectively\u00a0<\/span><span style=\"font-weight: 400;\">providing a voice to the voiceless. Before her race, her sister tells her to, \u201cswim for all those who\u00a0<\/span><span style=\"font-weight: 400;\">couldn\u2019t.\u201d\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Part sports movie, part diaspora film, this dramedy will have you laughing, crying and reflecting on Yusra and Sarah\u2019s heartfelt journey and what it takes to persevere amidst the suffering of war. The film not only allows us to humanize the mass numbers of people who fled their countries in 2015, but serves as an important reminder to do what we can with the platform and privileges we are given. &#8211;<\/span><span style=\"font-weight: 400;\">Amelie Sahadevan<\/span><\/p>\n<hr \/>\n<h3 style=\"text-align: center;\"><a id=\"destination5\"><\/a><\/h3>\n<h2 style=\"text-align: center;\"><a href=\"https:\/\/www.imdb.com\/title\/tt0423310\/?ref_=tt_mv_close\">Eran Riklis&#8217; <em>The Syrian Bride<\/em><\/a><\/h2>\n<h3><img loading=\"lazy\" src=\"\/arablitofwar\/files\/2025\/01\/Screenshot-2025-01-03-at-5.06.52\u202fPM-442x636.png\" alt=\"\" width=\"201\" height=\"289\" class=\"wp-image-931  alignleft\" srcset=\"https:\/\/sites.bu.edu\/arablitofwar\/files\/2025\/01\/Screenshot-2025-01-03-at-5.06.52\u202fPM-442x636.png 442w, https:\/\/sites.bu.edu\/arablitofwar\/files\/2025\/01\/Screenshot-2025-01-03-at-5.06.52\u202fPM.png 642w\" sizes=\"(max-width: 201px) 100vw, 201px\" \/>The Syrian Bride is about the wedding day of a young Druze woman from Israel, named Mona, and the challenges her family must navigate to prepare for the wedding in a politically divided region.<\/h3>\n<p>The whole film takes place in one day, as her family prepares for Mona\u2019s<br \/>\narranged marriage to a Syrian television star named Tallel. Mona and Tallel never met in person<br \/>\nbefore their marriage. However, Mona has an obligation to her family to move to Syria to marry<br \/>\nhim. She is not able to return to Israel once she crosses the border, as she will become a Syrian<br \/>\ncitizen. This film shows the reality of living in countries with large political tension. Israel<br \/>\noccupies the Golan Heights, which has caused political and social tensions in the area. This<br \/>\noccupation has led to a complicated relationship between Israel and Syria, impacting the lives of<br \/>\nthe local Druze community, including Mona\u2019s family. -Sedona Perin<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Click on cover to read our writeup: \u00a0 \u00a0 \u00a0\u00a0 \u00a0\u00a0 Talal Derki\u2019s Return to Homs Talal Derki\u2019s Return to Homs (2013) is a documentary film following young revolutionary Abdel Basset Sarout (1992-2019) through his attempt to liberate the Syrian city of Homs. Basset, who once aspired to be a professional soccer player, becomes a [&hellip;]<\/p>\n","protected":false},"author":23850,"featured_media":0,"parent":0,"menu_order":5,"comment_status":"closed","ping_status":"closed","template":"page-templates\/no-sidebars.php","meta":[],"_links":{"self":[{"href":"https:\/\/sites.bu.edu\/arablitofwar\/wp-json\/wp\/v2\/pages\/35"}],"collection":[{"href":"https:\/\/sites.bu.edu\/arablitofwar\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.bu.edu\/arablitofwar\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.bu.edu\/arablitofwar\/wp-json\/wp\/v2\/users\/23850"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.bu.edu\/arablitofwar\/wp-json\/wp\/v2\/comments?post=35"}],"version-history":[{"count":50,"href":"https:\/\/sites.bu.edu\/arablitofwar\/wp-json\/wp\/v2\/pages\/35\/revisions"}],"predecessor-version":[{"id":932,"href":"https:\/\/sites.bu.edu\/arablitofwar\/wp-json\/wp\/v2\/pages\/35\/revisions\/932"}],"wp:attachment":[{"href":"https:\/\/sites.bu.edu\/arablitofwar\/wp-json\/wp\/v2\/media?parent=35"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}