{"id":838,"date":"2014-01-28T08:48:44","date_gmt":"2014-01-28T13:48:44","guid":{"rendered":"https:\/\/sites.bu.edu\/afammusicworldculture\/?page_id=838"},"modified":"2014-03-19T11:32:41","modified_gmt":"2014-03-19T15:32:41","slug":"day-4","status":"publish","type":"page","link":"https:\/\/sites.bu.edu\/afammusicworldculture\/schedule-of-events\/day-4\/","title":{"rendered":"Saturday, March 22nd"},"content":{"rendered":"\n\n\n\n
African-American Music in World Culture:<\/strong>
\nArt as Refuge and Strength in the Struggle for Freedom<\/strong><\/td>\n<\/tr>\n
<\/td>\nAN INTERNATIONAL CONFERENCE at Boston University<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Saturday, March 22, Conference Day 3<\/strong><\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
8:30-9:00 AM<\/td>\nRegistration<\/td>\n<\/td>\n<\/tr>\n
8:50-9:00 AM<\/td>\nOpening Remarks<\/td>\nAllison Blakely<\/a><\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
9:00-10:30 AM<\/td>\nSession 8: “Keep Your Hand On The Plow” – European Concert Music and Jazz: Breaking Barriers<\/strong><\/td>\n<\/td>\n<\/tr>\n
9:00-9:35 AM<\/td>\nLecture\/Recital – Maud Cuney-Hare, African American Classical Musician and Historian in Boston, MA<\/td>\nLaura Keith<\/a><\/td>\n<\/tr>\n
9:35-9:55 AM<\/td>\nPaper – Opera Ebony<\/td>\nCarolyn Sebron<\/a><\/td>\n<\/tr>\n
9:55-10:15 AM<\/td>\nLecture\/Recital – Women of Color: Black, Blues & Jazz<\/td>\nVirginia Eskin<\/a><\/td>\n<\/tr>\n
10:15-10:30 AM<\/td>\nQ&A<\/td>\nModerator: Genithia Hogges, Boston University<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
10:30-11:45 AM<\/td>\nSession 9: “Walk Together, Children” – Cross-Cultural Exchanges<\/strong><\/td>\n<\/td>\n<\/tr>\n
10:30-10:50 AM<\/td>\nPaper – African-Americanisms in Nigerian Hip Hop: A Gift and a Curse<\/td>\nStephanie Shonekan<\/a><\/td>\n<\/tr>\n
10:50-11:10 AM<\/td>\nPaper – Jesus Raps: The Cultural and Emotional Impact of Spirituals in Hip-Hop in the United States and South Africa<\/td>\nEldonna May Morgen Chawawa<\/a><\/td>\n<\/tr>\n
11:10-11:30 AM<\/td>\nPaper – A Spiritual for All People: Diasporic Appropriations of \u201cSometimes I Feel Like a Motherless Child\u201d<\/td>\nFelicia Miyakawa<\/a><\/td>\n<\/tr>\n
11:30-11:45 AM<\/td>\nQ&A<\/td>\nModerator: Peter Hoesing, Assistant Professor of Music History and Ethnomusicology, Claflin University<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
11:45 AM-12:30 PM<\/td>\nLunch<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
12:30-2:00 PM<\/td>\nWorkshop – Blues in Our Blood: the Artistic Evolution and Musical Influence of Carole Fredericks and Taj Mahal<\/span><\/td>\nJames and Connie Fredericks Malone<\/a><\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
2:00-4:05 PM<\/td>\nSession 10: “There Is A Balm In Gilead” – Hip Hop and Rap: Where Do We Go From Here?<\/strong><\/td>\n<\/td>\n<\/tr>\n
2:00-2:20 PM<\/td>\nPaper – Crossing the Bar Lines: Locating 20th and 21st Strategies of Musical Equipoise and Resistance<\/td>\nJames Williams<\/a><\/td>\n<\/tr>\n
2:20-2:40 PM<\/td>\nPaper – Hip Hop Hope: Sampling Obama, Articulating Race<\/td>\nDaniel Blim<\/a><\/td>\n<\/tr>\n
2:40-3:00 PM<\/td>\nPaper – Frenchness in Hip Hop and Islam<\/td>\nVeronique Helenon<\/a><\/td>\n<\/tr>\n
3:00-3:20 PM<\/td>\nPaper – The Deaf Hip Hop Movement and Struggle for Cultural Recognition<\/td>\nKatelyn Best<\/a><\/td>\n<\/tr>\n
3:20-3:50 PM<\/td>\nPaper – It\u2019s Not in the Manual: Digital Technologies and the Future of the DJ<\/td>\nNiel Scobie<\/a><\/td>\n<\/tr>\n
3:50-4:05 PM<\/td>\nQ&A<\/td>\nModerator: John Thornton, Professor of History, Boston University<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
4:05 PM<\/td>\nClosing Remarks<\/td>\nAllison Blakely<\/a><\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n