{"id":832,"date":"2014-01-28T08:44:33","date_gmt":"2014-01-28T13:44:33","guid":{"rendered":"https:\/\/sites.bu.edu\/afammusicworldculture\/?page_id=832"},"modified":"2014-03-24T12:45:37","modified_gmt":"2014-03-24T16:45:37","slug":"day-3","status":"publish","type":"page","link":"https:\/\/sites.bu.edu\/afammusicworldculture\/schedule-of-events\/day-3\/","title":{"rendered":"Friday, March 21st"},"content":{"rendered":"\n\n\n\n
African-American Music in World Culture:<\/strong>
\nArt as Refuge and Strength in the Struggle for Freedom<\/strong><\/td>\n<\/tr>\n
<\/td>\nAN INTERNATIONAL CONFERENCE at Boston University<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Friday, March 21 , Conference Day 2<\/strong><\/td>\n<\/tr>\n
8:30-9:00 AM<\/td>\nRegistration<\/td>\n<\/td>\n<\/tr>\n
8:50-9:00 AM<\/td>\nOpening Remarks<\/td>\nAllison Blakely<\/a><\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
9:00-10:35 AM<\/td>\nSession 4: “Nobody Knows The Trouble I’ve Seen” – Jazz: Of Our Spiritual Strivings<\/strong><\/td>\n<\/td>\n<\/tr>\n
9:00-9:20 AM<\/td>\nPaper – On Movements, Moments, and Cultural Emblems in Works by African-American Composers<\/td>\nHorace Maxile<\/a><\/td>\n<\/tr>\n
9:20-9:40 AM<\/td>\nPaper – 75 Years of “Strange Fruit”: Metaphor and the Long Civil Rights Movement<\/td>\nKatherine Turner<\/a><\/td>\n<\/tr>\n
9:40-10:00 AM<\/td>\nPaper – “Everybody knows about Mississippi Goddam!”: Linking Nina Simone\u2019s Activism and Inclusion in the Jazz Community<\/td>\nHeather Anderson<\/a><\/td>\n<\/tr>\n
10:00-10:20 AM<\/td>\nPaper – Suffering, Levinas, and Modern Jazz: The Liturgical Music of Mary Lou Williams<\/td>\nChristopher Capizzi<\/a><\/td>\n<\/tr>\n
10:20-10:35 AM<\/td>\nQ&A<\/td>\nModerator: Dr. Laura Keith, Assistant Professor of Music, Claflin University<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
11:00-1:00 PM<\/td>\nMaster Class w\/ Dee Dee Bridgewater<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
10:35 AM-12:10 PM<\/td>\nSession 5: “I Wish I Knew How It Would Feel To Be Free” – Jazz: Streams of Consciousness<\/strong><\/td>\n<\/td>\n<\/tr>\n
10:35-10:55 AM<\/td>\nPaper – The African Drum in the Jazz Age: Metaphor and Nostalgia in Early Twentieth Century Black Culture<\/td>\nChris Johnson<\/a><\/td>\n<\/tr>\n
10:55-11:15 AM<\/td>\nPaper – The New Thing & The Blue Thing: Free Improvisation and the Jazz Avant-Garde Reconsidered<\/td>\nKwami Coleman<\/a><\/td>\n<\/tr>\n
11:15-11:35 AM<\/td>\nPaper – Tradition and Resistance: Wadada Leo Smith and the Liberation Politics of Creative “Classicism”<\/td>\nMarc Medwin<\/a><\/td>\n<\/tr>\n
11:55 AM-12:10 PM<\/td>\nQ&A<\/td>\nModerator: Dr. Laura Keith, Assistant Professor of Music, Claflin University<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
12:10-12:50 PM<\/td>\nLunch<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
12:50-1:50 PM<\/td>\nKeynote Address<\/td>\nGeorge Wein<\/a><\/td>\n<\/tr>\n
1:50-2:00 PM<\/td>\nBreak<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/strong><\/td>\n<\/td>\n<\/tr>\n
2:00-2:55 PM<\/td>\nSession 6: “My Home Is Over Jordan” – African Sounds, American Identities: African Continental Streams of Influence in the Music of the African Diaspora<\/strong><\/td>\n<\/td>\n<\/tr>\n
2:00-2:20 PM<\/td>\nPaper – \u201cNegroes Sing Their Pain\u201d: Arsenio Rodr\u00edguez and the Afro-Latin Presence in the United States during the Black Power Movement<\/td>\nDavid Garcia<\/a><\/td>\n<\/tr>\n
2:20-2:40 PM<\/td>\nPaper – A World Culture in African-American Music: the Struggle for Identity in the Ugandan Diaspora<\/td>\nPeter Hoesing<\/a>
\n<\/a><\/td>\n<\/tr>\n
2:40-2:55 PM<\/td>\nQ&A<\/td>\nModerator:
\nPatricia Tang<\/a>, Associate Professor of Music, Massachusetts Institute of Technology<\/a><\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
2:55-3:05 PM<\/td>\nBreak<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
3:05-5:10 PM<\/td>\nSession 7: “Wasn’t That A Wide River” – European Concert Music: From The New World<\/strong><\/td>\n<\/td>\n<\/tr>\n
3:05-3:40 PM<\/td>\nLecture\/Recital – Visions into the Past: A Comparative Analysis of Lisztian and Schubertian Influences in William Grant Still\u2019s “Three Visions”<\/td>\nSujung Cho<\/a><\/td>\n<\/tr>\n
3:40-4:00 PM<\/td>\nPaper – The Deep Satisfaction of having Discovered a New World: William Dawson in Spain<\/td>\nGwynne Kuhner Brown<\/a><\/td>\n<\/tr>\n
4:00-4:20 PM<\/td>\nPaper – Forgotten Legacies of Haitian Classical Music: Pianist-Composer Carmen Brouard and Her Symphonic Poem “Baron la Croix”<\/td>\nRebecca Dirksen<\/a><\/td>\n<\/tr>\n
4:20-4:55 PM<\/td>\nLecture\/Recital – Exploring South Carolina African American Composers\u2019 Classical Music<\/td>\nEunjung Choi\/ Laura Keith\/
\nLori Hicks<\/a><\/td>\n<\/tr>\n
4:55-5:10 PM<\/td>\nQ&A<\/td>\nModerator: Dr. Ruha Benjamin, Assistant Professor of Sociology and African American Studies, Boston University<\/td>\n<\/tr>\n
5:15 -5:45 PM<\/td>\nVocal Performances-Spirituals<\/td>\nLori Hicks, Jonathan Blanchard, with an Introduction by Joshua Rifkin<\/td>\n<\/tr>\n
6:30-9:00 PM<\/td>\nDinner with African Studies at SMG 9th floor<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n