{"id":134,"date":"2013-12-10T15:42:47","date_gmt":"2013-12-10T20:42:47","guid":{"rendered":"https:\/\/sites.bu.edu\/afammusicworldculture\/?page_id=134"},"modified":"2014-01-10T15:06:47","modified_gmt":"2014-01-10T20:06:47","slug":"anderson-heather","status":"publish","type":"page","link":"https:\/\/sites.bu.edu\/afammusicworldculture\/speakers\/anderson-heather\/","title":{"rendered":"Heather Anderson"},"content":{"rendered":"<p><a href=\"\/afammusicworldculture\/files\/2013\/12\/Head-Shot-Conf-HBA.thumbnail.jpg\"><img loading=\"lazy\" src=\"\/afammusicworldculture\/files\/2013\/12\/Head-Shot-Conf-HBA.thumbnail-150x150.jpg\" alt=\"Head Shot Conf HBA.thumbnail\" width=\"150\" height=\"150\" class=\"size-thumbnail wp-image-512 alignleft\" srcset=\"https:\/\/sites.bu.edu\/afammusicworldculture\/files\/2013\/12\/Head-Shot-Conf-HBA.thumbnail-150x150.jpg 150w, https:\/\/sites.bu.edu\/afammusicworldculture\/files\/2013\/12\/Head-Shot-Conf-HBA.thumbnail.jpg 444w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/a><\/p>\n<p><em>Heather Buffington Anderson\u00a0<\/em><br \/>\n<em>University of Texas<\/em><\/p>\n<p>Heather Buffington Anderson is currently pursuing a doctoral degree in historical musicology at the University of Texas. She holds a Master of Music in musicology from King\u2019s College London, and a BM in music performance from the University of Northern Colorado. Her dissertation topic explores the intersection of jazz and activism within the Civil Rights and Black Arts Movements.<\/p>\n<p><strong>Talk Title: &#8216;Everybody knows about Mississippi Goddam!&#8217; &#8211; Linking Nina Simone\u2019s Activism and Inclusion in the Jazz Community<\/strong><\/p>\n<p>Nina Simone was peripherally associated with jazz music from the outset of her career. Though she performed in a wide range of styles, Simone was primarily promoted as a \u201cjazz singer,\u201d a label she rejected throughout her career. In her early reviews, jazz critics seemed to agree. Citing her \u201cgrowling,\u201d \u201cabrasive\u201d voice and her \u201cclassical phrasing and articulation\u201d within her piano playing, they questioned her place within the jazz idiom. The 1964 release of her composition \u201cMississippi Goddam,\u201d could in many ways be heard as a confirmation of her distance from jazz aesthetics. Regardless of a marked shift in her repertory and performance style, Simone continued to be featured in jazz venues and festivals.<\/p>\n<p>Following the release of her protest anthem and increasing association with Civil Rights organizations SNCC and CORE, Simone was featured in several jazz festivals including the Newport Jazz Festival in 1966 and the Longhorn Jazz Festival in 1967 in Austin, Texas. This paper examines connections between Simone\u2019s Civil Rights activities, her inclusion in jazz festival performances and jazz critics\u2019 reevaluation of her position within the jazz community. It also proposes that the increase in Simone\u2019s headline appearances at jazz festivals is directly linked to her activism and the reception of her protest songs. Prof. Anderson argues that jazz festivals provided a space and opportunity for Simone to extend her activism and voice her political views. Working with documents from the Rod Kennedy Presents archive from the Briscoe Center for American History, there will be a prime focus on Simone\u2019s performance and reception at the Longhorn Jazz Festival.<\/p>\n<p>WEB LINK:\u00a0<a href=\"http:\/\/musethno.music.utexas.edu\/students\/#Buffington\">http:\/\/musethno.music.utexas.edu\/students\/#Buffington<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Heather Buffington Anderson\u00a0 University of Texas Heather Buffington Anderson is currently pursuing a doctoral degree in historical musicology at the University of Texas. She holds a Master of Music in musicology from King\u2019s College London, and a BM in music performance from the University of Northern Colorado. Her dissertation topic explores the intersection of jazz [&hellip;]<\/p>\n","protected":false},"author":3592,"featured_media":0,"parent":85,"menu_order":5,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/sites.bu.edu\/afammusicworldculture\/wp-json\/wp\/v2\/pages\/134"}],"collection":[{"href":"https:\/\/sites.bu.edu\/afammusicworldculture\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.bu.edu\/afammusicworldculture\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.bu.edu\/afammusicworldculture\/wp-json\/wp\/v2\/users\/3592"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.bu.edu\/afammusicworldculture\/wp-json\/wp\/v2\/comments?post=134"}],"version-history":[{"count":22,"href":"https:\/\/sites.bu.edu\/afammusicworldculture\/wp-json\/wp\/v2\/pages\/134\/revisions"}],"predecessor-version":[{"id":584,"href":"https:\/\/sites.bu.edu\/afammusicworldculture\/wp-json\/wp\/v2\/pages\/134\/revisions\/584"}],"up":[{"embeddable":true,"href":"https:\/\/sites.bu.edu\/afammusicworldculture\/wp-json\/wp\/v2\/pages\/85"}],"wp:attachment":[{"href":"https:\/\/sites.bu.edu\/afammusicworldculture\/wp-json\/wp\/v2\/media?parent=134"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}